Mary Stuart: Celebrated Crimes: Book 4
Alexandre Dumas
Jun 2014 · Celebrated Crimes Book 4 · Freshwater Seas · Narrated by Robert Bethune
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To paraphrase the note from the translator, The Celebrated Crimes of Alexandre Dumas père was not written for children. The novelist has spared no language—has minced no words—to describe violent scenes of violent times.
In this, the fourth of the series, Dumas tells the story of Mary Stuary, Queen of Scots--a story both strikingly touching and almost morbidly violent. Never one to allow a mere fact to stand in the way of a good story, though very sympathetic to Mary, Dumas puts all the most sensational accusations made against her--mostly by her enemies--to circumspect yet full use, which certainly distorts history, but makes for a great tale. Also, he often takes the novelist's approach, giving us details of scenes for which there can be no historical record--we are given, for example, a wonderful description of Darnley's actions and feelings at Kirk of Field as his enemies prepared to blow the house sky-high with him in it, despite the fact that Darnley was alone at the time and died in the explosion. As the translator notes, "The careful, mature reader, for whom the books are intended, will recognize, and allow for" Dumas' love of sensationalism. We're reading Dumas here, not Tuchman or Toynbee.
Dumas gives us a sweeping tale of love, hatred, betrayal, connivance, conquest both military and sexual, and above all the fragility of royalty--a form of greatness that can disappear like a bubble. It is a tale of events and personalities that shook Europe and created both a potent historical influence and an unfailing fountain of romance.
Enjoy!
In this, the fourth of the series, Dumas tells the story of Mary Stuary, Queen of Scots--a story both strikingly touching and almost morbidly violent. Never one to allow a mere fact to stand in the way of a good story, though very sympathetic to Mary, Dumas puts all the most sensational accusations made against her--mostly by her enemies--to circumspect yet full use, which certainly distorts history, but makes for a great tale. Also, he often takes the novelist's approach, giving us details of scenes for which there can be no historical record--we are given, for example, a wonderful description of Darnley's actions and feelings at Kirk of Field as his enemies prepared to blow the house sky-high with him in it, despite the fact that Darnley was alone at the time and died in the explosion. As the translator notes, "The careful, mature reader, for whom the books are intended, will recognize, and allow for" Dumas' love of sensationalism. We're reading Dumas here, not Tuchman or Toynbee.
Dumas gives us a sweeping tale of love, hatred, betrayal, connivance, conquest both military and sexual, and above all the fragility of royalty--a form of greatness that can disappear like a bubble. It is a tale of events and personalities that shook Europe and created both a potent historical influence and an unfailing fountain of romance.
Enjoy!
To paraphrase the note from the translator, The Celebrated Crimes of Alexandre Dumas père was not written for children. The novelist has spared no language—has minced no words—to describe violent scenes of violent times.
In this, the fourth of the series, Dumas tells the story of Mary Stuary, Qu...
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About the author
After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.
After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dum...
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