Joan of Naples: Celebrated Crimes, book 10
Alexandre Dumas
Jan 2015 · Celebrated Crimes Book 10 · Freshwater Seas · Narrated by Robert Bethune
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4 hr 11 min
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To paraphrase the note from the translator, The Celebrated Crimes of Alexandre Dumas père was not written for children. The novelist has spared no language—has minced no words—to describe violent scenes of violent times.
In this, the tenth of the series, Dumas places us at the court of Joan of Naples, a beautiful, emotional, highly capable woman at the center of thirty years of plotting, betrayal, intrigue, war, beauty, love and death. Hers is a world at war between both secular and ecclesiastical centers of power: the Pope at Avignon, the king in France, the emperor in Germany, and most importantly for her story, the kings of Hungary, so far away in culture and temperament, so close across the Adriatic Sea. Personal, political and social forces lead to her connivance in the death of her husband, forces which eventually lead to her own death as well.
This is the world that Niccolo Machiavelli knew so well and described so precisely: a world where networks of competing interests writhe and clash, where enemies become friends and friends become enemies with startling speed, where the highest courage and the basest cowardice can combine in the same person.
Enjoy!
In this, the tenth of the series, Dumas places us at the court of Joan of Naples, a beautiful, emotional, highly capable woman at the center of thirty years of plotting, betrayal, intrigue, war, beauty, love and death. Hers is a world at war between both secular and ecclesiastical centers of power: the Pope at Avignon, the king in France, the emperor in Germany, and most importantly for her story, the kings of Hungary, so far away in culture and temperament, so close across the Adriatic Sea. Personal, political and social forces lead to her connivance in the death of her husband, forces which eventually lead to her own death as well.
This is the world that Niccolo Machiavelli knew so well and described so precisely: a world where networks of competing interests writhe and clash, where enemies become friends and friends become enemies with startling speed, where the highest courage and the basest cowardice can combine in the same person.
Enjoy!
To paraphrase the note from the translator, The Celebrated Crimes of Alexandre Dumas père was not written for children. The novelist has spared no language—has minced no words—to describe violent scenes of violent times.
In this, the tenth of the series, Dumas places us at the court of Joan of N...
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About the author
After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.
After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dum...
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