Antonin Derues: Celebrated Crimes, book 8
Alexandre Dumas
Oct 2014 · Celebrated Crimes Book 8 · Freshwater Seas · Narrated by Robert Bethune
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4 hr 37 min
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To paraphrase the note from the translator, The Celebrated Crimes of Alexandre Dumas père was not written for children. The novelist has spared no language—has minced no words—to describe violent scenes of violent times.
In this, the eighth of the series, Dumas explores the depths of a soul, that of Antonin Derues, a man capable of the most amazing hypocrisy, perfidy, and cruelty. He was what we would know today as an extreme sociopath, a man willing to lie, cheat, steal and kill out of overwhelming avarice, with little or not compassion for his victims, or even understanding of what he forced upon them.
The place is Paris; the time is just before the Revolution. Dumas has no love for his subject; in several passages he lashes out at him with downright fury, and everywhere spares no pains to show us the worst of him. As is typical of his approach, he bases his story on the facts of the case, but does not hesitate to supply thoughts, words, and actions of his characters out of his imagination, in circumstances where no record of them can possibly exist.
Although he lays no stress upon it, his story of the hideous carrier of this infamous criminal also indicts the society of the time; a society in which a man who created a thorough appearance of the forms of religious feeling diverted all attention from his true nature--as shown by his actions.
If ever there was a story in which we are happy to see the bad guy get his comeuppance, it is certainly this one.
Enjoy!
In this, the eighth of the series, Dumas explores the depths of a soul, that of Antonin Derues, a man capable of the most amazing hypocrisy, perfidy, and cruelty. He was what we would know today as an extreme sociopath, a man willing to lie, cheat, steal and kill out of overwhelming avarice, with little or not compassion for his victims, or even understanding of what he forced upon them.
The place is Paris; the time is just before the Revolution. Dumas has no love for his subject; in several passages he lashes out at him with downright fury, and everywhere spares no pains to show us the worst of him. As is typical of his approach, he bases his story on the facts of the case, but does not hesitate to supply thoughts, words, and actions of his characters out of his imagination, in circumstances where no record of them can possibly exist.
Although he lays no stress upon it, his story of the hideous carrier of this infamous criminal also indicts the society of the time; a society in which a man who created a thorough appearance of the forms of religious feeling diverted all attention from his true nature--as shown by his actions.
If ever there was a story in which we are happy to see the bad guy get his comeuppance, it is certainly this one.
Enjoy!
To paraphrase the note from the translator, The Celebrated Crimes of Alexandre Dumas père was not written for children. The novelist has spared no language—has minced no words—to describe violent scenes of violent times.
In this, the eighth of the series, Dumas explores the depths of a soul, tha...
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About the author
After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.
After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dum...
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