Nisida: Celebrated Crimes, Book 7
Alexandre Dumas
Sep 2014 · Celebrated Crimes Book 7 · Freshwater Seas · Narrated by Robert Bethune
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1 hr 41 min
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About this audiobook
To paraphrase the note from the translator, The Celebrated Crimes of Alexandre Dumas père was not written for children. The novelist has spared no language—has minced no words—to describe violent scenes of violent times.
However, in this, the seventh of the series, Dumas turns away from the bitter hatreds and bloody cruelty of the preceding stories. He lets the novelist take over from the historian, giving free rein to his storytelling instincts. The story of Nisida is worthy of an Italian opera in the great romantic tradition, and indeed Donizetti attempted it, but without success. It is the story of an attempt by a womanizing nobleman to seduce and ruin the daughter of a poor but admirable fisherman, an attempt that ends in his death at the hands of her brother, who is then sentenced to die and is executed, but not by the hands of the law.
The story is told in lush and melodramatic style, tending in places to comedy. It is as if Dumas just had to give himself a break after the harsh, tense history of the preceding titles in the series, and turned his gift for melodrama and high coloring loose with a passion.
Dumas does claim that the story is based on the records of an actual case. If so, the case is well buried, or Dumas changed too many names and details to permit us to track it down with certainty.
Enjoy!
However, in this, the seventh of the series, Dumas turns away from the bitter hatreds and bloody cruelty of the preceding stories. He lets the novelist take over from the historian, giving free rein to his storytelling instincts. The story of Nisida is worthy of an Italian opera in the great romantic tradition, and indeed Donizetti attempted it, but without success. It is the story of an attempt by a womanizing nobleman to seduce and ruin the daughter of a poor but admirable fisherman, an attempt that ends in his death at the hands of her brother, who is then sentenced to die and is executed, but not by the hands of the law.
The story is told in lush and melodramatic style, tending in places to comedy. It is as if Dumas just had to give himself a break after the harsh, tense history of the preceding titles in the series, and turned his gift for melodrama and high coloring loose with a passion.
Dumas does claim that the story is based on the records of an actual case. If so, the case is well buried, or Dumas changed too many names and details to permit us to track it down with certainty.
Enjoy!
To paraphrase the note from the translator, The Celebrated Crimes of Alexandre Dumas père was not written for children. The novelist has spared no language—has minced no words—to describe violent scenes of violent times.
However, in this, the seventh of the series, Dumas turns away from the bitt...
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About the author
After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.
After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dum...
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