The Hawkling

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The rebels on the other side of the Shadowpass are massing, and refugees are flooding in to the city. Scared, penniless and not exactly welcome, they are desperate for the protection of the Nest, and the powerful mages who live there. But there is dissension in the Nest's ranks, and there is always someone willing to make money from the fearful.

The mages believe they have a secret weapon - a captured lightborn, kept prisoner by a magical slave collar and forced to do their bidding. But Tatters and Isha, tentative friends despite their suspicion of each other's motives, know something the mages do not.

The rebels are aware of the lightborn. They know how to deal with it. And they are ready for war...

The rebels on the other side of the Shadowpass are massing, and refugees are flooding in to the city. Scared, penniless and not exactly welcome, they are desperate for the protection of the Nest, and the powerful mages who live there. But there is dissension in the Nest's ranks, and there is alwa...

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Rebecca Zahabi is a mixed-heritage writer (a third British, a third French and a third Iranian, if the mix is of interest to you). She started writing in her home village in France at age 12 - a massive epic which set out to revolutionise feminism. Since then, she has slightly re-jigged her expectations of what she can achieve with a keyboard and a blank page. After honing her craft in a variety of genres - playwriting, short stories, interactive novels - she hopes to write books that can make a difference. Her first YA book was shortlisted for the Northern Writers' Award in 2019. Her adult debut, The Collarbound, was longlisted for The Future Bookshelf program at Hachette UK before being acquired by Gollancz.
Rebecca Zahabi is a mixed-heritage writer (a third British, a third French and a third Iranian, if the mix is of interest to you). She started writing in her home village in France at age 12 - a massive epic which set out to revolutionise feminism. Since then, she has slightly re-jigged her expec...

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