Gordon Grigsby

These are wise, beautiful poems of love and loss, an elegiac celebration of our brief moments in human history and the natural world. No leaf, no strand of seaweed is too small to escape Grigsby’s tender attention, as he recalls places and people who spring brilliantly to life through his words. —Donna Spector, author of The Woman Who Married Herself Gordon Grigsby’s poems are wonderfully attuned to his world, his time—to our world, our time. His work powerfully evokes how he and we experience “double living,” always “stepping twice in the same river.” The history he thus calls up is ancient, recent, and contemporary. And it is universal (through the particular, as in “Hotel on the Cliff at Delphi, November 2002”), cultural (as in “The Hurricane, Robin Hood, and the Bounty,” where we get an ode to Jon Hall, Errol Flynn, and Clark Gable), and intensely personal (as in the past life and relationships brought out in poems like “The Vanished Motel”). Dawn Night Fall is a deeply moving collection. —Morris Beja, author of James Joyce: A Literary Life and Tell Us About... A Memoir.