A Matter of Complexion: The Life and Fictions of Charles W. Chesnutt
Feb 2025 · Sold by St. Martin's Press
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A NEW YORK TIMES EDITOR'S CHOICE
“Chakkalakal asks the reader to see the ‘First Negro Novelist’ as he saw himself: a writer and student of American letters at a time when the literary marketplace struggled to take him seriously...a timely reminder of the influence of artists like Charles W. Chesnutt today, when perhaps only literature has the power to sustain us.” - The New York Times Book Review
A biography of Charles Chesnutt, one of the first American authors to write for both Black and white readers.
In A Matter of Complexion, Tess Chakkalakal gives readers the first comprehensive biography of Charles W. Chesnutt. A complex and talented man, Chesnutt was born in 1858 in Cleveland to parents who were considered “mixed race.” He spent his early life in North Carolina after the Civil War. Though light-skinned, Chesnutt remained a member of the black community throughout his life. He studied among students at the State Colored Normal School who were formerly enslaved. He became a teacher in rural North Carolina during Reconstruction. His life in the South of those years, the issue of race, and how he himself identified as Black informed much of his later writing. He went on to become the first Black writer whose stories appeared in The Atlantic Monthly and whose books were published by Houghton Mifflin.
Through his literary work, as a writer, critic, and speaker, Chesnutt transformed the publishing world by crossing racial barriers that divided black writers from white and seamlessly including both Black and white characters in his writing. In A Matter of Complexion Chakkalakal pens the biography of a poor teacher raised in rural North Carolina during Reconstruction who became the first professional African American writer to break into the all-white literary establishment and win admirers as diverse as William Dean Howells, Booker T. Washington, Ida B. Wells, and Lorraine Hansberry.
“Chakkalakal asks the reader to see the ‘First Negro Novelist’ as he saw himself: a writer and student of American letters at a time when the literary marketplace struggled to take him seriously...a timely reminder of the influence of artists like Charles W. Chesnutt today, when perhaps only literature has the power to sustain us.” - The New York Times Book Review
A biography of Charles Chesnutt, one of the first American authors to write for both Black and white readers.
In A Matter of Complexion, Tess Chakkalakal gives readers the first comprehensive biography of Charles W. Chesnutt. A complex and talented man, Chesnutt was born in 1858 in Cleveland to parents who were considered “mixed race.” He spent his early life in North Carolina after the Civil War. Though light-skinned, Chesnutt remained a member of the black community throughout his life. He studied among students at the State Colored Normal School who were formerly enslaved. He became a teacher in rural North Carolina during Reconstruction. His life in the South of those years, the issue of race, and how he himself identified as Black informed much of his later writing. He went on to become the first Black writer whose stories appeared in The Atlantic Monthly and whose books were published by Houghton Mifflin.
Through his literary work, as a writer, critic, and speaker, Chesnutt transformed the publishing world by crossing racial barriers that divided black writers from white and seamlessly including both Black and white characters in his writing. In A Matter of Complexion Chakkalakal pens the biography of a poor teacher raised in rural North Carolina during Reconstruction who became the first professional African American writer to break into the all-white literary establishment and win admirers as diverse as William Dean Howells, Booker T. Washington, Ida B. Wells, and Lorraine Hansberry.
A NEW YORK TIMES EDITOR'S CHOICE
“Chakkalakal asks the reader to see the ‘First Negro Novelist’ as he saw himself: a writer and student of American letters at a time when the literary marketplace struggled to take him seriously...a timely reminder of the influence of artists like Charles W. Ches...
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About the author
TESS CHAKKALAKAL teaches African-American and American Literature at Bowdoin College. Her writing has appeared in The New England Quarterly, J19, American Literary History, and many others. She is the author of Novel Bondage: Slavery, Marriage, and Freedom in Nineteenth-Century American (Illinois UP, 2011) and co-editor of Jim Crow, Literature, and the Legacy of Sutton E. Griggs (University of Georgia Press, 2013) and Imperium in Imperio: A Critical Edition (West Virginia UP, 2022) She lives in Brunswick, Maine.
TESS CHAKKALAKAL teaches African-American and American Literature at Bowdoin College. Her writing has appeared in The New England Quarterly, J19, American Literary History, and many others. She is the author of Novel Bondage: Slavery, Marriage, and Freedom in Nineteenth-Century American (Illinois...
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