As a Catholic priest, Robert Hugh Benson naturally has a bone to pick with the irreligious nature of Spiritualism, and disdain for the movement is present in this book. However, the story retains a sympathy for Laurie when he turns from his faith, and refuses to make any grandstanding declarations about Spiritualist ideas. The reality of what Laurie and Maggie experience remains in question, and whether or not Spiritualist notions of death are correct is quickly made beside the point, even as the novel gradually turns to the horror that Benson is perhaps best known for.
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