The scene then changes to some fifty years previous; in the aftermath of Waterloo, some noblemen return from exile. One of them insults the character of a local who has acted honorably on the nobleman’s behalf, and the remainder of the novel is devoted to how those few minutes end up unravelling the lives of everyone present, and many who aren’t.
Gaboriau again demonstrates his ability to mix detective mystery and Dickensian drama, and foreshadows the style of the first two novels of his more famous English cousin in detection.
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