
John Marshall
I, Medusa is a phenomenal book. Ayana Gray was brave enough to step into one of mythology's most regurgitated stories. Gray reimagines Medusa not as a monster, but as a provocative and powerful young woman of color. In this iteration, Medusa is a girl who spent her whole life as a sidenote in someone else's story. Through Medusa's journey, Gray exposes classism, sexism, rape culture, religion, race, and the insatiable human appetite to rule over people, nations, and the world. Every institution Medusa encounters, from the divine hierarchies of the gods to the social order of the temple, exists to remind her of “her place.” Gray makes sure we feel the weight of that. The most pivotal question Gray forces me to wrestle with is this: is rage allowable, innate, or a choice? It is a question without a clean answer, and Gray is wise enough not to offer one. Medusa, a woman whose rage was not born from weakness or madness, but from being different and an accumulation of violations that the world insisted she accept. Her transformation may not be a punishment. Ayers seems to suggest it is a reckoning. As a father of three daughters, this book hit differently. I pray they read it. Not because I want them to carry rage, but because I want them to recognize it when it arrives, and it will arrive. Like Medusa, they will be brought to rage. The world has a long tradition of provoking Black women and then condemning them for responding. Gray names that tradition clearly and without apology. Where I have my own sentiments about rage, whether it is a tool of justice or a fire that consumes the one who wields it, I know my daughters will have to answer that question for themselves. Gray does not make the choice for Medusa, and she does not make it for the reader. This book is an essential mirror for the specific moral crossroad that men face daily, and have the privilege to do so. I, Medusa forces us to confront the reality that we are constantly tasked with choices. Choices to be righteous in the face of injustice, to be rightfully indignant, ignore isms, or to drift into the convenience of wickedness. The men in Medusa's world did not all set out to be monsters. In fact, the good one(s) were met with evil and ire too. But, many men (in the book) simply chose comfort over courage, silence over accountability, politics over (the) people, and appetite over integrity. They allowed their own capacity for rage to curdle into entitlement, or they witnessed wickedness and chose to look away rather than risk their own standing. Gray holds a mirror up to these moments, and it is not always a flattering reflection. That is exactly why we need to look. We must read this to understand that the "monstrous" actions of others are often enabled by the quiet, daily choices of those who stand by and/or are too cowardly to address. I, Medusa is a story about what Medusa was and could have been. Moreover, it challenges and accurately accuses community of not being communal but complicit causing pain and sometimes creating monters. 🌟 🌟 🌟 🌟 🌟 #ayanagray #imedusa #rage #redemption