Cuban Ballet

· Gibbs Smith
5 reviews
Ebook
242
Pages
Eligible

About this ebook

The unique style of Cuban ballet is galvanizing the world of dance in the United States, Europe, Latin America, and beyond. This beautifully illustrated book explores the history of Cuban ballet by focusing on the life and career of the indomitable Alicia Alonso. It also spotlights many of the young dancers who are changing the face of ballet with their superb technique, impeccable work ethic, and spectacular performances: Lorena Feijoo, Lorna Feijoo, Joan Boada, Taras Domitro, Jose Manuel Carreo, Rolando Sarabia, and Carlos Acosta to name but a few. While focusing on the artistry and spirit of Cuban dancers, both within and out of Cuba, Octavio Roca deftly explores the political realities artists face in Cuba and why so many need to leave their beloved home to reach their full potential, taking their grace, beauty, strength, and style with them. Cuba's loss has become the worlds gain. A widely respected authority on the arts, Roca has served on the juries of dozens of international festivals and performing arts competitions, including the International Ballet Festival in Havana, his native city. Octavio Roca studied at Emory University and Georgetown University, has taught philosophy at the University of Miami and Barry University, and is now chair of the Arts and Philosophy Department at Miami Dade College. He lives in Miami Beach.
The unique style of Cuban ballet is galvanizing the world of dance in the United States, Europe, Latin America, and beyond. This beautifully illustrated book explores the history of Cuban ballet by focusing on the life and career of the indomitable Alicia Alonso. It also spotlights many of the yo...

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Ratings and reviews

5 reviews
A Google user
July 9, 2011
This is an ode to my cousin Leonela Gonzalez Perez with whom I share a great grand mother Leonela Enamorado Cabrera. First something on Leonela Enamorado Cabrera—She was a Mambisa that is a Cuban Independence fighter in the (1868-1878) Cuban Ten Years War for Independence. Her inheritance included much Native American ancestry, presumably from her mother or grandmother captured by Spanish slave hunters at the Palenque de la Cruz, in the Sierra Maestra. There in the heights of the Sierra Maestra Leonela Enamorado Cabrera met and loved my great grand father Cuban Major General, Calixto Garcia I~niguez in the three main wars for Cuban independence (1868-1898). After the first war when to the eastern Cuban port of Manzanillo, where she met and married a Spaniard by the name of Eduardo Perez. They had a son, a half brother to my grandfather Mambi Brigadier General in the last Cuban war of independence (1895-1898) Calixto (G-I) Enamorado, and to other Mambi sons of the Major General. Leonela’s grandfather, Eduardo Perez Enamorado was a great friend of my grandfather and the half brothers got on well. This Eduardo’s daughter Maria-Leonela Perez was mother to Leonela Gonzalez. My mother Leonela Garcia-I~niguez Ramirez also had that original name. I met Leonela Gonzalez only once, in Havana when I was about 19 or so and she about five years older. Her beauty was so radiant it literally left me speechless. I was able to talk to her by phone some years back when she was in Nashville, recovering from cancer. The Castro regime treats Leonela Gonzalez, as any other exile essentially banning her from mention in Cuban histories. Thus, I wish to commend the authors for including her in this book, and thus despite the de-rigueur pro-Castro distortions required of those who live in Cuba, I recommend this book, albeit with the caution such circumstances require. There will be more mention of Leonela Gonzalez in my book in progress “Love and War in Cuba.” Laurence Daley (Garcia-I~niguezRamirez Enamorado etc. …) Professor Emeritus (Biophysics, Biochemistry and Plant Physiology of Plant Germplasm)
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About the author

Octavio Roca has been a music, dance, and theater critic for The Washington Post, The Washington Times, The San Francisco Chronicle, and the Miami New Times. He is the author of Scotto:, More Than A Diva, Prologue to Greatness, and Dance:A Constantly Evolving Tradition. His works for the stage include commissioned translations of Stravinsky's The Soldier's Tale, Mascagni's Our Friend Fritz, Gluck's Orpheus and Eurydice, and Monteverdi's The Coronation of Poppea, as well as the original libretto for Lucia Hwong's The Unwelcome Rhythm of Your Pulse.
Octavio Roca has been a music, dance, and theater critic for The Washington Post, The Washington Times, The San Francisco Chronicle, and the Miami New Times. He is the author of Scotto:, More Than A Diva, Prologue to Greatness, and Dance:A Constantly Evolving Tradition. His works for the stage in...

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