After working in summer stock with young actors including Timothy Findley, Gordon Pinsent and Jackie Burroughs, he spent a couple of years in the suburbs of Birkenhead, then moved to Kingston where, in the 1960s he shared the world of little magazines with Tom Marshall and Michael Ondaatje and the world of prisons with the inmates he taught. In the 1970s he worked under John Hirsch at the CBC. He edited books for Oberon Press. He was part of the generation of young Canadian writers who believed they could achieve anything. He also shares a touching account of family life, of learning to be a father. Poetry, some of it never before published, catches the echoes of the life he lived. From childhood during the Second World War to becoming a grandfather at the millennium, this is the story of one man and his connections with the history of Canada in the latter part of the twentieth century.
Born in Toronto in 1938, David Helwig attended the University of Toronto and the University of Liverpool. His first stories were published in Canadian Forum and The Montrealer while he was still an undergraduate. He then went on to teach at Queen’s University. He worked in summer stock with the Straw Hat Players, mostly as a business manager and technician, rubbing elbows with such actors as Gordon Pinsent, Jackie Burroughs and Timothy Findley.
While at Queen’s University, Helwig did some informal teaching in Collins Bay Penitentiary and subsequently wrote A Book About Billie with a former inmate.
Helwig has also served as literary manager of CBC Television Drama, working under John Hirsch, supervising the work of story editors and the department’s relations with writers.
In 1980, he gave up teaching and became a full-time freelance writer. He has done a wide range of writing -- fiction, poetry, essays -- authoring more than twenty books. Helwig is also the founder and long-time editor of the Best Canadian Stories annual. In 2009 he was named as a member of the Order of Canada.
David Helwig lives in the village of Eldon on Prince Edward Island, where he is the third Poet Laureate. He indulges his passion for vocal music by singing with choirs in Montreal, Kingston, and Charlottetown. He has appeared as bass soloist in Handel’s Messiah, Bach’s St Matthew Passion and Mozart’s Requiem.