The Dazzling Paget Sisters: Identical Twins at the Heart of the 20th Century

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For fans of Nancy Mitford’s The Pursuit of Love, this is the real-life story of Celia and Mamaine Paget: “devoted twins, whose lives and loves traversed the intellectual currents and crises of mid-twentieth century Europe” (Rupert Christiansen).

After the prominent London literary socialite Celia Goodman née Paget died in 2002, her daughter, Ariane Bankes, inherited a battered trunk stuffed with letters and diaries that belonged to Celia and her identical twin sister, Mamaine. This correspondence charted two remarkable lives spent amongst a remarkable cast of characters who were at the heart of their age, including Arthur Koestler, Albert Camus, Jean-Paul Sartre, Simone de Beauvoir, and George Orwell.

Throughout a secluded childhood in the country with their widowed father, boarding school, and Swiss finishing school, they remained inseparable. As debutantes, they took 1930s London by storm, rejecting conventional suitors in favor of life together amongst the city’s bohemian intelligentsia. During the war and after, they were at the side of Europe’s foremost intellectuals—as coworkers, close friends, and lovers.

This captivating memoir is an intimate portrait of a lost age and the male thinkers who dominated it, as seen through women’s eyes. Above all, it’s the tale of two devoted sisters, remarkable women both.

For fans of Nancy Mitford’s The Pursuit of Love, this is the real-life story of Celia and Mamaine Paget: “devoted twins, whose lives and loves traversed the intellectual currents and crises of mid-twentieth century Europe” (Rupert Christiansen). After the prominent London literary socialite Celi...

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About the author

Ariane Bankes had a long career in publishing, including at John Murray and V&A Publishing, before becoming a writer, critic and curator. Her writing has appeared in The Spectator, Times Literary Supplement, Financial Times, Country Life, and Slightly Foxed. She sits on the boards of Koestler Arts, the Leche Trust and the Biographers’ Club, where she runs the Slightly Foxed Best First Biography Prize and the Tony Lothian Prize, and divides her time between London and Norfolk.

Ariane Bankes had a long career in publishing, including at John Murray and V&A Publishing, before becoming a writer, critic and curator. Her writing has appeared in The Spectator, Times Literary Supplement, Financial Times, Country Life, and Slightly Foxed. She sits on the boards of Koestler Art...

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