In answering these questions, Godorecci offers a closereading of a cycle of Machiavellian re-writings characterized by threeparticular cases: Machiavelli's rewriting of the works of others (Plautus's Casina, Terence's Andria, Livy's Ab urbecondita and Dante's De vulgari eloquentia), his own texts (the story ofVitellozzo Vitelli and the events in Sinigaglia at the court of Cesare Borgis),and the re-writing of him by others (in Gramsci's "modern prince"). Drawing onWilhelm Dilthey's ideas on experience, history, and hermeneutics, Godorecciprovides insights into Machiavelli's participation in the process of re-writingas expression of his own "hermeneutic attitude," which supports the universalvalidity of interpretation and (thus) clears space for others who come/take/run"after Machiavelli."