To get his story straight, Berado tracks down Ramsès, receptionist and bartender at the Salam Hotel in the 11th arrondissement, and begins to talk. But his tale keeps slipping away from him—interrupted, contradicted, dissolving at the edges into something between dream and waking. Maybe it’s the tea.
In the tradition of the Thousand and One Nights, Booker Prize finalist Alain Mabanckou conjures a world of African exile in Paris that is ribald, tender, and shot through with sly wit—peopled with rogues you can’t help rooting for and absurdities you can’t help recognizing. Mabanckou is celebrated for his “colorful supporting characters” (San Francisco Chronicle), whose stories are told with “black humor” (The New York Times Book Review), ringing with a “beautiful poetry” (The Wall Street Journal). Called “funny and sardonic” (Le Parisien), this is Mabanckou at his most irresistible.
Alain Mabanckou was born in Congo in 1966. An award-winning novelist, poet, and essayist, Mabanckou currently lives in Los Angeles, where he teaches literature at UCLA. He is the author of African Psycho, Broken Glass, Black Bazaar, and Tomorrow I’ll Be Twenty, as well as The Lights of Pointe-Noire, Black Moses, The Death of Comrade President, and Dealing with the Dead (The New Press). In 2015, Mabanckou was a finalist for the Man Booker International Prize.