About this ebook
The Clash thought they could change the world. They never did, but they created some of the greatest rock music of all time in the attempt.
Clash interviews were mesmerizing. Infused with the messianic spirit of punk, the Clash engaged with the press like no rock group before or since, treating interviews almost as addresses to the nation. Their pronouncements were welcomed but were hardly uncritically reported. The Clash's back pages are voluminous, crackle with controversy, and constitute a snapshot of a uniquely thoughtful and fractious period in modern history. Included in this compendium are the Clash's encounters with the most brilliant music writers of their time, including Lester Bangs, Nick Kent, Mikal Gilmore, Chris Salewicz, Charles Shaar Murray, Mick Farren, Kris Needs, and Lenny Kaye.
Whether it be their audience with the (mainly) simpatico likes of punk fanzine Sniffin' Glue, their testy encounters with the correspondents of pious UK weeklies like New Musical Express, Melody Maker, and Sounds , or their friendlier but no less eyebrow-raising conversations with US periodicals like Creem and Rolling Stone, the Clash consistently created copy that lived up to their sobriquet "The Only Band That Matters."
Clash interviews were mesmerizing. Infused with the messianic spirit of punk, the Clash engaged with the press like no rock group before or since, treating interviews almost as addresses to the nation. Their pronouncements were welcomed but were hardly uncritically reported. The Clash's back pages are voluminous, crackle with controversy, and constitute a snapshot of a uniquely thoughtful and fractious period in modern history. Included in this compendium are the Clash's encounters with the most brilliant music writers of their time, including Lester Bangs, Nick Kent, Mikal Gilmore, Chris Salewicz, Charles Shaar Murray, Mick Farren, Kris Needs, and Lenny Kaye.
Whether it be their audience with the (mainly) simpatico likes of punk fanzine Sniffin' Glue, their testy encounters with the correspondents of pious UK weeklies like New Musical Express, Melody Maker, and Sounds , or their friendlier but no less eyebrow-raising conversations with US periodicals like Creem and Rolling Stone, the Clash consistently created copy that lived up to their sobriquet "The Only Band That Matters."
The Clash thought they could change the world. They never did, but they created some of the greatest rock music of all time in the attempt.
Clash interviews were mesmerizing. Infused with the messianic spirit of punk, the Clash engaged with the press like no rock group before or since, treating ...
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About the author
Sean Egan is an author and journalist who has interviewed members of the Clash, Fleetwood Mac, the Beach Boys, the Beatles, the Kinks, Led Zeppelin, the Rolling Stones, the Sex Pistols, the Velvet Underground, the Who, and many others. He is the author or editor of a number of books, including Bowie on Bowie, Keith Richards on Keith Richards, Fleetwood Mac on Fleetwood Mac, The Who on the Who , and The Clash: The Only Band That Mattered.
Sean Egan is an author and journalist who has interviewed members of the Clash, Fleetwood Mac, the Beach Boys, the Beatles, the Kinks, Led Zeppelin, the Rolling Stones, the Sex Pistols, the Velvet Underground, the Who, and many others. He is the author or editor of a number of books, including Bo...
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