The Ticket That Exploded
Feb 2011 · Grove/Atlantic, Inc.
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About this ebook
As this new edition reveals, the cultural reach of The Ticket That Exploded has expanded with the viral logic of Burroughs’s multimedia methods, recycling itself into our digital environment. A last chance antidote to the virus of lies spread by the ad men and con men of the Nova Mob, Burroughs’s book is an outrageous hybrid of pulp science fiction, obscene experimental poetry, and manifesto for revolution—as fresh today as it ever has been. Edited from the original manuscripts by renowned Burroughs scholar Oliver Harris, this revised edition incorporates an introduction and appendices of never before seen materials.
As this new edition reveals, the cultural reach of The Ticket That Exploded has expanded with the viral logic of Burroughs’s multimedia methods, recycling itself into our digital environment. A last chance antidote to the virus of lies spread by the ad men and con men of the Nova Mob, Burroughs’s...
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2 reviews
Michael Davis
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October 3, 2014
Don't like cut-up
About the author
From hipster to so-called Godfather of Punk, William Burroughs has lived a controversial life as a leading member of the Beat Generation and a daring writer of psychedelic literary experiments, but, when he reached his seventieth birthday in 1984, it was almost as if he had been overtaken by respectability. Burroughs was born in St. Louis, Missouri, in 1914 as the grandson of the man who invented the adding machine and a descendant of Robert E. Lee of Civil War fame. He attended Harvard University. Later while living a bohemian life in association with such Beat writers as Allen Ginsberg and Jack Kerouac, Burroughs became addicted to morphine and under the pseudonym William Lee published his first novel, Junkie, in 1953 as half of an Ace Double Books paperback. The novel escaped critical notice but may be seen now as the forerunner of his later fiction with its introduction of many of the themes, settings, characters, and amoral postures that became prominent with Naked Lunch (1959) and its successors. Refused by the American publishers to whom Burroughs submitted the manuscript, Naked Lunch first appeared in Paris under the Olympia Press imprint in 1959, the same year that Burroughs was permanently cured of his addiction. Naked Lunch might have remained ignored had not Mary McCarthy and Norman Mailer called attention to the work at the International Writers Conference held in Edinburgh in 1962. Burroughs's raw subject matter and seeming lack of discipline have alienated some of the more academic and genteel literary critics. Naked Lunch was followed by three additional novels about the Nova crime syndicate-The Soft Machine (1961), The Ticket That Exploded (1962), and Nova Express (1964), which make use of overlapping characters and motifs. With The Wild Boys of 1971, Burroughs began to develop a new style more accessible to the general reader. Although Cities of the Red Night (1981) received mixed reviews, it was praised by such Burroughs experts as Jennie Skerl and Robert Burkholder as perhaps the best of his more recent novels. Of The Place of Dead Roads (1983) is true to Burroughs's various obsessions with guns, homosexuality, and the terror produced by people who are addicted to power and control. Today much of the psychedelic effect of Burroughs's fiction appears to be an illusion that masks rather deliberate methods of composition. These include "cut-out" techniques, pastiche, and the deliberate trying-out of styles derived from popular fiction genres to create literary montages that owe as much to fantasy and science as to the surrealism of avant-garde literature.
From hipster to so-called Godfather of Punk, William Burroughs has lived a controversial life as a leading member of the Beat Generation and a daring writer of psychedelic literary experiments, but, when he reached his seventieth birthday in 1984, it was almost as if he had been overtaken by resp...
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