The Weird of the Wanderer: Restored Classics to Go Edition

· Otbebookpublishing
Ebook
323
Pages
Eligible

About this ebook

The Weird of the Wanderer opens as an eccentric, mock-scholarly fantasy, framed by papyrus records from one of Nicholas Crabbe's former lives and introduced with learned dedications, classical epigraphs, and a playful air of antiquity. What begins as an archaeological report from Armenia soon becomes stranger than myth: a hidden rock-tomb behind a ruined chapel yields a richly decorated mummy, papyri, and impossible grave goods, including a revolver, ancient coins, and a modern watch identified as Crabbe's. As Professor Adam Howley deciphers the documents, the mystery widens into a tale of reincarnation, time-slip, and occult history. The papyri then erupt into grandiose confession and adventure, as King Balthazar of Moxoene claims to be Nicholas Crabbe cast backward through time and transformed into an immortal ruler. His account blends Egyptology, white magic, and comic self-importance: a young seeker gathers sacred substances, performs a moonlit rite in a ruined temple, endures supernatural agony, and summons Pan and Hermes themselves. Rewarded with divine vision, a silver chariot, and a perilous journey toward the underworld, he becomes a hero of learned fantasy, wit, and otherworldly wonder. This edition has been fully restored with modern typesetting, custom cover design.
The Weird of the Wanderer opens as an eccentric, mock-scholarly fantasy, framed by papyrus records from one of Nicholas Crabbe's former lives and introduced with learned dedications, classical epigraphs, and a playful air of antiquity. What begins as an archaeological report from Armenia soon bec...

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About the author

Frederick Rolfe, who also wrote under the name Baron Corvo, was one of the most singular and self-invented figures in late Victorian and Edwardian literature. Born in London in 1860, he moved restlessly through a series of identities and professions, including an unsuccessful attempt at the priesthood, teaching, journalism, photography, and translation, while pursuing a fiercely independent literary career that was often shadowed by poverty, illness, and feuds with publishers and patrons. His writing is marked by a vivid, sometimes extravagant style, a sharp eye for social pretension, and an unmistakable sense of wounded pride, and he produced fiction, essays, memoir, and correspondence that have long fascinated readers drawn to outsider voices. Among his most admired achievements are his richly imagined novels and autobiographical works, which blend satire, decadence, longing, and spiritual unease into a body of work unlike that of any of his contemporaries. Rolfe repeatedly returned to themes of alienation, failed ambition, artistic self-fashioning, and the tension between worldly success and inner truth, concerns that still resonate today in an age attentive to identity, exclusion, and the costs of creative independence. His legacy lies not in popularity but in singularity: he remains a cult writer whose work rewards readers who enjoy brilliance mixed with bitterness, elegance touched by desperation, and a mind forever at odds with the world around it. Readers who appreciate unusual literary voices, psychological intensity, and the drama of a life lived on the margins are especially likely to find Frederick Rolfe compelling.

Frederick Rolfe, who also wrote under the name Baron Corvo, was one of the most singular and self-invented figures in late Victorian and Edwardian literature. Born in London in 1860, he moved restlessly through a series of identities and professions, including an unsuccessful attempt at the pries...

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