In this whimsical universe, inanimate objects are anything but inanimate.
They have rich inner lives, neuroses, hopes, and career ambitions (some cutlery dream of making it to a Michelin-starred restaurant).
Some even have a vague yet assertive sense of sexuality—
the toaster and the kettle? It’s… complicated.
And the animals? Even worse.The eagle thinks he’s a philosopher.
The cat writes haikus in his head.The pigeon campaigns against statues.Even the earthworms hold union meetings in the basement.
This concept invites you to shift your perspective:Forget the human at the center of everything.You’re invited to step into the skin (or the metal, or the bark) of those «others» we never truly notice.An immersion filled with sarcasm, emotion, tiny personal dramas, and grand absurd causes.
Because sometimes, the world as seen by an existentialist plastic bag is far more fascinating than that of a rushed businessman.
Christophe Desgouttes is a French visual artist working at the crossroads of fine arts, animation, writing, and digital technology. Since beginning his training in 1985, he has evolved from traditional art exhibitions to pioneering digital media and web-based artistic experiments. He founded DAGOPROD in 2016 to support his independent visual and digital creations. His recent projects explore live film montage, collaborations with artificial intelligence, and surreal artistic universes. Christophe continues to develop his unique blend of drawing, coding, video, and storytelling with an open and experimental spirit.