The Royal Art of Poison: Filthy Palaces, Fatal Cosmetics, Deadly Medicine, and Murder Most Foul
Jun 2018 · Macmillan + ORM
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A morbidly witty and erudite work of pop history that traces the use of poison as a political and cosmetic tool in the royal courts of Western Europe.
In The Royal Art of Poison, Eleanor Herman combines her unique access to royal archives with cutting-edge forensic discoveries to tell the true story of Europe's glittering palaces: one of medical bafflement, poisonous cosmetics, ever-present excrement, festering natural illness, and, sometimes, murder.
For centuries, royal families have feared the gut-roiling, vomit-inducing agony of a little something added to their food or wine by an enemy. To avoid poison, they depended on tasters, unicorn horns, and antidotes tested on condemned prisoners. Servants licked the royal family's spoons, tried on their underpants and tested their chamber pots.
Ironically, royals terrified of poison were unknowingly poisoning themselves daily with their cosmetics, medications, and filthy living conditions. Women wore makeup made with mercury and lead. Men rubbed turds on their bald spots. Physicians prescribed mercury enemas, arsenic skin cream, drinks of lead filings, and potions of human fat and skull, fresh from the executioner. The most gorgeous palaces were little better than filthy latrines.
Hugely entertaining, this captivating history traces the power of poison from the Middle Ages to the Kremlin today, revealing the medical bafflement, poisonous cosmetics, unsanitary conditions, and occasional murder hidden behind the royal façade.
In The Royal Art of Poison, Eleanor Herman combines her unique access to royal archives with cutting-edge forensic discoveries to tell the true story of Europe's glittering palaces: one of medical bafflement, poisonous cosmetics, ever-present excrement, festering natural illness, and, sometimes, murder.
For centuries, royal families have feared the gut-roiling, vomit-inducing agony of a little something added to their food or wine by an enemy. To avoid poison, they depended on tasters, unicorn horns, and antidotes tested on condemned prisoners. Servants licked the royal family's spoons, tried on their underpants and tested their chamber pots.
Ironically, royals terrified of poison were unknowingly poisoning themselves daily with their cosmetics, medications, and filthy living conditions. Women wore makeup made with mercury and lead. Men rubbed turds on their bald spots. Physicians prescribed mercury enemas, arsenic skin cream, drinks of lead filings, and potions of human fat and skull, fresh from the executioner. The most gorgeous palaces were little better than filthy latrines.
Hugely entertaining, this captivating history traces the power of poison from the Middle Ages to the Kremlin today, revealing the medical bafflement, poisonous cosmetics, unsanitary conditions, and occasional murder hidden behind the royal façade.
A morbidly witty and erudite work of pop history that traces the use of poison as a political and cosmetic tool in the royal courts of Western Europe.
In The Royal Art of Poison, Eleanor Herman combines her unique access to royal archives with cutting-edge forensic discoveries to tell the true s...
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3 reviews
anthonylandrum63
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May 24, 2019
Amazing what autopsies can disclose.
2 people found this review helpful
About the author
Eleanor Herman is the author of Sex with Kings, Sex with the Queen, and several other works of popular history. She has hosted Lost Worlds for The History Channel, The Madness of Henry VIII for the National Geographic Channel, and is now filming her second season of America: Fact vs. Fiction for The American Heroes Channel. Herman, who happily dresses in Renaissance gowns, lives with her husband, their black lab, and her four very dignified cats in McLean, VA.
Eleanor Herman is the author of Sex with Kings, Sex with the Queen, and several other works of popular history. She has hosted Lost Worlds for The History Channel, The Madness of Henry VIII for the National Geographic Channel, and is now filming her second season of America: Fact vs. Fiction for ...
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