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For some time there has existed a need for a new account of the life and stylistic development of David Teniers the Younger (1610-1690). This need is made all the more obvious by the fact that Adolf Rosenberg's book, writ-ten in 1898, remains a most complete study of Teniers. 1 De Peyre's Biogra-phie Critique of 1910 added little information not already published by Rosenberg.2 A number of recent articles have dealt with various aspects of Teniers's life or style, but none has been entirely satisfactory. 5 Some are incomplete; others contain errors gleaned from earlier sources. None has dealt with the artist's stylistic evolution from his early works to the works of the mature Teniers.
For some time there has existed a need for a new account of the life and stylistic development of David Teniers the Younger (1610-1690). This need is made all the more obvious by the fact that Adolf Rosenberg's book, writ-ten in 1898, remains a most complete study of Teniers. 1 De Peyre's Biogra-...
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