Ford Madox Ford’s concluding volume of The Fifth Queen trilogy traces the arc of Katharine’s brief reign with the impressionistic intensity that distinguishes the previous books. Henry himself is rendered with remarkable ambivalence: a man of genuine intelligence and feeling whose will is at the mercy of his moods and of the whispers that reach him through layers of courtly deception. Katharine, idealistic to the last, believes she can restore the old faith and reform the king’s court by the force of moral example alone, a conviction that her adversaries, from Archbishop Cranmer to the spy Lascelles, find easier to exploit than to refute.
Praised by Joseph Conrad as “a noble conception,” the trilogy concludes here with an inevitability that feels both tragic and dignified.
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