關於本電子書
A remarkable anti-colonialist novel by one of the twentieth century’s most brilliant—and neglected—science fiction and horror writers, whom Stephen King called “the best writer of science fiction that England has ever produced.”
What if spiders evolved and gained the ability to co-operate?
A group of British citizens buy the South Pacific island of Tanakuatua from the British government in the hopes of building the world’s first utopian society. Tanakuatua is small, beautiful, and apparently uninhabited. Perhaps too uninhabited: there are no birds, no insects, no life of any kind—other than millions and millions of spiders. . . .
What if spiders evolved and gained the ability to co-operate?
A group of British citizens buy the South Pacific island of Tanakuatua from the British government in the hopes of building the world’s first utopian society. Tanakuatua is small, beautiful, and apparently uninhabited. Perhaps too uninhabited: there are no birds, no insects, no life of any kind—other than millions and millions of spiders. . . .
A remarkable anti-colonialist novel by one of the twentieth century’s most brilliant—and neglected—science fiction and horror writers, whom Stephen King called “the best writer of science fiction that England has ever produced.”
What if spiders evolved and gained the ability to co-operate?
A g...
瀏覽更多書籍
評分和評論
2則評論
關於作者
John Wyndham (1903–1969) is considered a pioneer of science fiction and horror, though he preferred to think of himself as a “logical fantasist.” He began writing science fiction and detective stories in the 1920s, but shifted to science fiction post-WWII, focusing on themes of disaster, invasion, and first contact. His best-known works include The Day of the Triffids (1951) and The Midwich Cuckoos (1957). A pacifist and socialist, Wyndham was alive to the impact of sexism, classism, and prejudice and his novels reflect his liberal politics.
John Wyndham (1903–1969) is considered a pioneer of science fiction and horror, though he preferred to think of himself as a “logical fantasist.” He began writing science fiction and detective stories in the 1920s, but shifted to science fiction post-WWII, focusing on themes of disaster, invasion...
為這本電子書評分
歡迎提供意見。
閱讀資訊
智慧型手機與平板電腦
筆記型電腦和電腦
你可以使用電腦的網路瀏覽器聆聽你在 Google Play 購買的有聲書。
電子書閱讀器與其他裝置
如要在 Kobo 電子閱讀器這類電子書裝置上閱覽書籍，必須將檔案下載並傳輸到該裝置上。請按照說明中心的詳細操作說明，將檔案傳輸到支援的電子閱讀器上。
