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2022. júl. · Értékesítő: Modern Library
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2 vélemény
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A remarkable anti-colonialist novel by one of the twentieth century’s most brilliant—and neglected—science fiction and horror writers, whom Stephen King called “the best writer of science fiction that England has ever produced.”
What if spiders evolved and gained the ability to co-operate?
A group of British citizens buy the South Pacific island of Tanakuatua from the British government in the hopes of building the world’s first utopian society. Tanakuatua is small, beautiful, and apparently uninhabited. Perhaps too uninhabited: there are no birds, no insects, no life of any kind—other than millions and millions of spiders. . . .
What if spiders evolved and gained the ability to co-operate?
A group of British citizens buy the South Pacific island of Tanakuatua from the British government in the hopes of building the world’s first utopian society. Tanakuatua is small, beautiful, and apparently uninhabited. Perhaps too uninhabited: there are no birds, no insects, no life of any kind—other than millions and millions of spiders. . . .
A remarkable anti-colonialist novel by one of the twentieth century’s most brilliant—and neglected—science fiction and horror writers, whom Stephen King called “the best writer of science fiction that England has ever produced.”
What if spiders evolved and gained the ability to co-operate?
A g...
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John Wyndham (1903–1969) is considered a pioneer of science fiction and horror, though he preferred to think of himself as a “logical fantasist.” He began writing science fiction and detective stories in the 1920s, but shifted to science fiction post-WWII, focusing on themes of disaster, invasion, and first contact. His best-known works include The Day of the Triffids (1951) and The Midwich Cuckoos (1957). A pacifist and socialist, Wyndham was alive to the impact of sexism, classism, and prejudice and his novels reflect his liberal politics.
John Wyndham (1903–1969) is considered a pioneer of science fiction and horror, though he preferred to think of himself as a “logical fantasist.” He began writing science fiction and detective stories in the 1920s, but shifted to science fiction post-WWII, focusing on themes of disaster, invasion...
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