Tree of Knowledge: Poems
ααααααΆ 2026 Β· αααββααα Farrar, Straus and Giroux
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FINALIST FOR THE NATIONAL BOOK AWARD FOR POETRY
A poet watches the limbs of a eucalyptus tree get sawed off: the image persists, refracting and recurring across poems of art, language, selfhood, memory, and loss.
Joan Mitchell said, When I talk about love, I mean loving a tree. When I talk about love, I mean loving where a tree used to be.
Men assess the eucalyptus tree growing on the poetβs street; a crane arrives. The sound of a chainsaw rings in the air and branches begin to fall. This tree-cutting haunts the poet and becomes the locus from which the rest of the collection spirals. It refracts across works by artists such as Pablo Picasso, Joan Mitchell, and Hilma af Klint, whose painting series lends the collection its title and who becomes a model for engaging with the world. At the core of the collection, the long poem βEurekaβ examines the violent 1885 expulsion of Chinese Americans from the eponymous California town. Roving, evocative, and intricate, Tree of Knowledge is rooted in Victoria Changβs crystalline voice and generous, probing gaze, and by certain images βtrees, a hanging figure, a branch, fingertips, a briefcaseβthat resurface like apparitions.
A poet watches the limbs of a eucalyptus tree get sawed off: the image persists, refracting and recurring across poems of art, language, selfhood, memory, and loss.
Joan Mitchell said, When I talk about love, I mean loving a tree. When I talk about love, I mean loving where a tree used to be.
Men assess the eucalyptus tree growing on the poetβs street; a crane arrives. The sound of a chainsaw rings in the air and branches begin to fall. This tree-cutting haunts the poet and becomes the locus from which the rest of the collection spirals. It refracts across works by artists such as Pablo Picasso, Joan Mitchell, and Hilma af Klint, whose painting series lends the collection its title and who becomes a model for engaging with the world. At the core of the collection, the long poem βEurekaβ examines the violent 1885 expulsion of Chinese Americans from the eponymous California town. Roving, evocative, and intricate, Tree of Knowledge is rooted in Victoria Changβs crystalline voice and generous, probing gaze, and by certain images βtrees, a hanging figure, a branch, fingertips, a briefcaseβthat resurface like apparitions.
FINALIST FOR THE NATIONAL BOOK AWARD FOR POETRY
A poet watches the limbs of a eucalyptus tree get sawed off: the image persists, refracting and recurring across poems of art, language, selfhood, memory, and loss.
Joan Mitchell said, When I talk about love, I mean loving a tree. When I talk abou...
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Victoria Chang has written several books of poetry, including With My Back to the World and The Trees Witness Everything, and a nonfiction book, Dear Memory: Letters on Writing, Silence, and Grief. Her poetry collection OBIT was named a New York Times Notable Book; received the Los Angeles Times Book Prize, the Anisfield-Wolf Book Award, and the PEN/Voelcker Award; was longlisted for the National Book Award; and was named a finalist for the National Book Critics Circle Award and the Griffin International Poetry Prize. With My Back to the World received the Forward Prize for Best Collection of Poetry and was short-listed for the PEN/Jean Stein Award, the California Book Award, and the Kingsley Tufts Award. Chang has received a Guggenheim Fellowship, a National Endowment for the Arts Fellowship, and the Chowdhury Prize in Literature. She is the Bourne Chair in Poetry at Georgia Tech and the director of Poetry@Tech.
Victoria Chang has written several books of poetry, including With My Back to the World and The Trees Witness Everything, and a nonfiction book, Dear Memory: Letters on Writing, Silence, and Grief. Her poetry collection OBIT was named a New York Times Notable Book; received the Los Angeles Times ...
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