The Sixties: Diaries 1960–1969
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The diaries are crammed with wicked gossip and probing psychological insights about the cultural icons of the time—Francis Bacon, Richard Burton, Leslie Caron, Marianne Faithfull, David Hockney, Mick Jagger, Hope Lange, W. Somerset Maugham, John Osborne, Vanessa Redgrave, Tony Richardson, David O. Selznick, Igor Stravinsky, Gore Vidal, and many others. But the diaries are most revealing about Isherwood himself—his fiction (including A Single Man and Down There on a Visit), his film writing, his college teaching, and his affairs of the heart. He moves easily from Beckett to Brando, from arthritis to aggression, from Tennessee Williams to foot powder, from the opening of Cabaret on Broadway (which he skipped) to a close analysis of Gide.
In the background run references to the political and historical events of the period: the anxieties of the Cold War, Yuri Gagarin's spaceflight, de Gaulle and Algeria, the eruption of violence in America's inner cities, the Vietnam War, the Summer of Love, the moon landing, and the raising and lowering of hemlines. Isherwood is well known for his prophetic portraits of a morally bankrupt Europe on the eve of World War II; in this unparalleled chronicle, The Sixties, he turns his fearless eye on the decade that more than any other has shaped the way we live now.
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Christopher Isherwood (1904-1986) was born outside of Manchester, England. His life in Berlin from 1929 to 1933 inspired The Berlin Stories, which were adapted into a play, a film, and the musical Cabaret. Isherwood immigrated to the United States in 1939. A major figure in twentieth-century fiction and the gay rights movement, he wrote more than twenty books, including the novel A Single Man and his autobiography, Christopher and His Kind.
