The Cuckoo

· 20th Century Korean Literature Cartea 46 · Literature Translation Institute of Korea
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Jeomnye, Mireoksoe, Napsun, and Jongsu all live in a country village. Jeomnye has feelings for Mireoksoe, who believes he has claim on Napsun, who is in love with Jongsu. Out of jealousy, Jeomnye informs Mireoksoe that Napsun and Jongsu are frolicking up in the mountain. Mireoksoe tracks them down and attacks Jongsu, who flees the village. Mireoksoe succeeds in marrying Napsun, but fails to win her heart. Not long after their wedding, Jeomnye informs Mireoksoe that she just saw Napsun and Jongsu entering Napsun’s room together. Mireoksoe runs home in a murderous rage, only to hear screams coming from his house.
Jeomnye, Mireoksoe, Napsun, and Jongsu all live in a country village. Jeomnye has feelings for Mireoksoe, who believes he has claim on Napsun, who is in love with Jongsu. Out of jealousy, Jeomnye informs Mireoksoe that Napsun and Jongsu are frolicking up in the mountain. Mireoksoe tracks them dow...

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Ch’ae Man-Sik (1902 – 1950) was born in Okgu, North Jeolla Province in 1902. His pen names are Baek-reung and Chae-ong. After graduating from Jung-ang High School, he studied the arts at Waseda University, Japan. Ch’ae Man-Sik is considered to be one of the most emblematic novelists of the colonial period. He produced works that authentically showcased the social realities and conflicts of the time such as “My Innocent Uncle” (1938), Turbid Waters (1937-1938), Peace Under Heaven (1938), Frozen Fish (1940), and the play The Legend of the Mantis (1940), among others.
Ch’ae Man-Sik (1902 – 1950) was born in Okgu, North Jeolla Province in 1902. His pen names are Baek-reung and Chae-ong. After graduating from Jung-ang High School, he studied the arts at Waseda University, Japan. Ch’ae Man-Sik is considered to be one of the most emblematic novelists of the coloni...

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