Working as a costume designer for our community theater's production of Twelfth Night, I live in the safety of shadows and stitches. I'm the one who makes magic happen backstage, invisible but essential. At least, that's what I tell myself until Rowan Vale walks into my costume room.
She's playing Viola, the girl who disguises herself as a boy, and watching her transform in the velvet I cut for her awakens something in me I didn't know was sleeping. Every fitting becomes an exercise in restraint. Every quick-change backstage feels like a dance we're both afraid to name.
I've always been the good girl, the safe choice, the one who follows patterns. But Rowan makes me want to cut my own lines, to trust what my hands already know—that some attractions can't be measured or pinned down.
As opening night approaches, the space between us grows electric. Shakespeare wrote about love in disguise, about finding your true self when you stop pretending to be someone else. I'm starting to understand that maybe I've been in costume my whole life.
The stage lights are bright, but the real revelation happens in the shadows of the wings, where Rowan's whispered words and gentle touches are rewriting everything I thought I knew about desire, about myself, about what it means to finally, truly, fit.
Some seams are meant to come undone.
A steamy lesbian romance about self-discovery, theater magic, and finding love in all the right places.
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