Women and Ledger Art: Four Contemporary Native American Artists

· University of Arizona Press
Ebook
128
Pages

About this ebook

Ledger art has traditionally been created by men to recount the lives of male warriors on the Plains. During the past forty years, this form has been adopted by Native female artists, who are turning previously untold stories of women’s lifestyles and achievements into ledger-style pictures. While there has been a resurgence of interest in ledger art, little has been written about these women ledger artists.
Women and Ledger Art calls attention to the extraordinary achievements of these strong women who have chosen to express themselves through ledger art. Author Richard Pearce foregrounds these contributions by focusing on four contemporary women ledger artists: Sharron Ahtone Harjo (Kiowa), Colleen Cutschall (Oglala Lakota), Linda Haukaas (Sicangu Lakota), and Dolores Purdy Corcoran (Caddo). Pearce spent six years in continual communication with the women, learning about their work and their lives. Women and Ledger Art examines the artists and explains how they expanded Plains Indian history.
With 46 stunning images of works in various mediums—from traditional forms on recovered ledger pages to simulated quillwork and sculpture, Women in Ledger Art reflects the new life these women have brought to an important transcultural form of expression.
Ledger art has traditionally been created by men to recount the lives of male warriors on the Plains. During the past forty years, this form has been adopted by Native female artists, who are turning previously untold stories of women’s lifestyles and achievements into ledger-style pictures. Whil...

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About the author

Richard Pearce is Professor Emeritus of English at Wheaton College in Massachusetts. He has published six books on modernist narrative. Now in retirement, he has applied his experience to the narratives of Plains Indian ledger art, extending his commitment to cross-cultural feminism.
Richard Pearce is Professor Emeritus of English at Wheaton College in Massachusetts. He has published six books on modernist narrative. Now in retirement, he has applied his experience to the narratives of Plains Indian ledger art, extending his commitment to cross-cultural feminism.

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