The story is told through the sequential points of view of a group of middle-class Victorians who find themselves enmeshed in the creature’s plot. The creature, in the guise of an Egyptian man, appears in London seeking revenge against a popular member of Parliament. They soon find out that it can shape shift into other things, including women; that it can control minds and use hypnosis; and that it won’t stop at anything to get the revenge it seeks. The heroes are soon caught in a whirlwind of chase scenes, underground laboratories, secret cults, and more as they race to foil the creature.
While The Beetle didn’t earn the lasting popularity of Stoker’s counterpart, it remains a strange and unique morsel of Victorian sensationalist fiction.
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