Girard compares persecution texts with myths, most notably with the myth of Oedipus, and finds strikingly similar themes and structures. Could myths regularly conceal texts of persecution? Girard's answers lies in a study of the Christian Passion, which represents the same central event, the same collective violence, found in all mythology, but which is read from the point of view of the innocent victim. The Passion text provides the model interpretation that has enabled Western culture to demystify its own violence—a demystification Girard now extends to mythology.
Underlying Girard's daring textual hypothesis is a powerful theory of history and culture. Christ's rejection of all guilt breaks the mythic cycle of violence and the sacred. The scapegoat becomes the Lamb of God; "the foolish genesis of blood-stained idols and the false gods of superstition, politics, and ideologies" are revealed.
René Girard is a Andrew B. Hammond Professor of French Language, Literature and Civilization at Stanford University. Two of his books, Deceit, Desire, and the Novel, which was also translated by Yvonne Freccero, and Violence and the Sacred, are available from Johns Hopkins University Press.