Por Siempre
abr. del 2023 · Haymarket Books
Llibre electrònic
120
Pàgines
family_home
Apte
info
Sobre aquest llibre
Photojournalist Tony Salazar has a poet’s intuition for images that echo beyond themselves and constellate a narrative.
Guns, tattoos, pit bulls, and cars appear alongside a tender aubade, a couple holding hands, a baby bathing in a kitchen sink; landscapes and skylines in Phoenix and Los Angeles show palm trees and messy garages; long white socks and acrylic nails of younger generations meet the smiles and traditions of elders. In a society that would rather disappear or ignore its own grittier dimensions, Salazar’s work is both a refusal to be silenced and a love letter to the communities that sing, dance, live, and love, in their own beautiful and dangerous ways.
Alongside Salazar’s powerful visual narrative, a series of poems by José Olivarez appear throughout the book. Each poem “speaks” in its own way—to, of, with, and beyond the subjects of Salazar’s photos—with humor, honesty, and compassion. These artists together in Por Siempre are a force: expanding and lifting each other’s best parts, as those in sincere and caring communities often do.
Guns, tattoos, pit bulls, and cars appear alongside a tender aubade, a couple holding hands, a baby bathing in a kitchen sink; landscapes and skylines in Phoenix and Los Angeles show palm trees and messy garages; long white socks and acrylic nails of younger generations meet the smiles and traditions of elders. In a society that would rather disappear or ignore its own grittier dimensions, Salazar’s work is both a refusal to be silenced and a love letter to the communities that sing, dance, live, and love, in their own beautiful and dangerous ways.
Alongside Salazar’s powerful visual narrative, a series of poems by José Olivarez appear throughout the book. Each poem “speaks” in its own way—to, of, with, and beyond the subjects of Salazar’s photos—with humor, honesty, and compassion. These artists together in Por Siempre are a force: expanding and lifting each other’s best parts, as those in sincere and caring communities often do.
Photojournalist Tony Salazar has a poet’s intuition for images that echo beyond themselves and constellate a narrative.
Guns, tattoos, pit bulls, and cars appear alongside a tender aubade, a couple holding hands, a baby bathing in a kitchen sink; landscapes and skylines in Phoenix and Los Angel...
Descobreix-ne més
Sobre l'autor
Antonio Salazar is a photographer based in Phoenix, Arizona. His work features a glimpse into the culture of the fifth largest city in the U.S. Themes surrounding Chicane/x identity in the Southwest are heavily explored through his art.Born in Bogota, Colombia and Raised in Pilsen, Mateo Zapata’s work insists on the visibility of his community.
José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize.
Antonio Salazar is a photographer based in Phoenix, Arizona. His work features a glimpse into the culture of the fifth largest city in the U.S. Themes surrounding Chicane/x identity in the Southwest are heavily explored through his art.Born in Bogota, Colombia and Raised in Pilsen, Mateo Zapata’s...
Puntua aquest llibre electrònic
Dona'ns la teva opinió.
Informació de lectura
Telèfons intel·ligents i tauletes
Instal·la l'aplicació Google Play Llibres per a Android i per a iPad i iPhone. Aquesta aplicació se sincronitza automàticament amb el compte i et permet llegir llibres en línia o sense connexió a qualsevol lloc.
Ordinadors portàtils i ordinadors de taula
Pots escoltar els audiollibres que has comprat a Google Play amb el navegador web de l'ordinador.
Lectors de llibres electrònics i altres dispositius
Per llegir en dispositius de tinta electrònica, com ara lectors de llibres electrònics Kobo, hauràs de baixar un fitxer i transferir-lo al dispositiu. Segueix les instruccions detallades del Centre d'ajuda per transferir els fitxers a lectors de llibres electrònics compatibles.
