Marivaux: Two Plays: The Triumph of Love; The Game of Love and Chance
Apr 2007 · Bloomsbury Publishing
Ebook
128
Pages
About this ebook
Two tales of multiple misunderstanding by the eighteenth-century master of complex, witty comedies.
In the tightly-structured, erotically-charged fable The Triumph of Love, a young princess, conscious that her claim to the throne is less than honourable, disguises herself as a man in order to dupe her enemies and persuade the rightful ruler to return. This faithful and vivid translation by Braham Muray and Katherine Sand was first performed at the Royal Exchange Theatre, Manchester in 2007.
In The Game of Love and Chance, a pair of prospective lovers each swap places with their servants, while their relatives, fully apprised of both deceptions, look on in amusement. Neil Bartlett's adaptation, first performed at the Lyric Hammersmith, finds inventive modern equivalents for Marivaux's ludic theatricality and its roots in the Commedia dell'Arte.
In the tightly-structured, erotically-charged fable The Triumph of Love, a young princess, conscious that her claim to the throne is less than honourable, disguises herself as a man in order to dupe her enemies and persuade the rightful ruler to return. This faithful and vivid translation by Braham Muray and Katherine Sand was first performed at the Royal Exchange Theatre, Manchester in 2007.
In The Game of Love and Chance, a pair of prospective lovers each swap places with their servants, while their relatives, fully apprised of both deceptions, look on in amusement. Neil Bartlett's adaptation, first performed at the Lyric Hammersmith, finds inventive modern equivalents for Marivaux's ludic theatricality and its roots in the Commedia dell'Arte.
Two tales of multiple misunderstanding by the eighteenth-century master of complex, witty comedies.
In the tightly-structured, erotically-charged fable The Triumph of Love, a young princess, conscious that her claim to the throne is less than honourable, disguises herself as a man in order to dup...
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About the author
Pierre Marivaux (1688 -1763), the most important French playwright of the 18th century, wrote numerous comedies for La Comedie Francaise and La Comedie Italienne of Paris. His most famous works are The Game of Love and Chance and False Admissions. Neil Bartlett is one of his generation's most respected and innovative theatre directors. His highly individual translations of French and German classical theatre, and charcteristically theatrical adaptations of Dickens, most of them originated while he was Artistic Director of the Lyric Hammersmith in London, have been played around the world. His plays have premiered at the Royal Court, at the Manchester International Festival and at the National Theatre in London.
Pierre Marivaux (1688 -1763), the most important French playwright of the 18th century, wrote numerous comedies for La Comedie Francaise and La Comedie Italienne of Paris. His most famous works are The Game of Love and Chance and False Admissions. Neil Bartlett is one of his generation's most res...
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