Passing & Quicksand

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Nella Larsen was an important writer associated with the Harlem Renaissance. While she was not prolific her work was powerful and critically acclaimed. Collected here are both of her novels, 'Passing' and 'Quicksand'. 'Passing' confronts the reality of racial passing. The novel focuses on two childhood friends Clare and Irene, both of whom are light-skinned enough to pass as white, who have reconnected with one another after many years apart. Clare has chosen to pass while Irene has embraced her racial heritage and become an important member of her community. The novel examines how people pass on many different levels and in many different ways. Some forms of passing are perfectly acceptable while others can lead to disaster. 'Quicksand', was autobiographical in nature and examined a woman's need for sexual fulfilment balanced against respectability and acceptance amid a deeply religious society. The novel is deeply pessimistic and ends as the protagonist is sucked into a life that is at odds with all that she had desired.
Nella Larsen was an important writer associated with the Harlem Renaissance. While she was not prolific her work was powerful and critically acclaimed. Collected here are both of her novels, 'Passing' and 'Quicksand'. 'Passing' confronts the reality of racial passing. The novel focuses on two chi...

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Nella Larsen was associated with the Harlem Renaissance. She also worked as a librarian and a nurse in New York City, pursuing nursing after her brief, successful writing career until her death in 1964. Larsen's mother was Danish, and her father was West Indian; she used her experience as the child of middle-class parents in a mixed marriage to create characters in two novels who are stranded, caught between two cultures and unable to feel wholly at home in either. In each of Larsen's novels, the heroine suffers suffocating constrictions of her identity in both African American and white European culture. These crises in both Quicksand (1928) and Passing (1929) are further complicated by the heroine's quest for sexual as well as social identity, and both novels end without hopeful resolution. Both contain autobiographical elements, but Quicksand, the more successful, reproduced in fictional form many of the circumstances of Larsen's own early life. Although her work had been out of print for many years, she has recently been rediscovered.
Nella Larsen was associated with the Harlem Renaissance. She also worked as a librarian and a nurse in New York City, pursuing nursing after her brief, successful writing career until her death in 1964. Larsen's mother was Danish, and her father was West Indian; she used her experience as the chi...

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