Music Metropolis Berlin: Three Centuries of Musical Culture in the Capital City

· University of Chicago Press
Ebook
448
Pages
Tools
Eligible
This book will become available on March 8, 2027. You will not be charged until it is released.

About this ebook

Tracing the development of Berlin as a center of music from the eighteenth century to the present, examining how its music survived despite its turbulent history.

Berlin is a music-lover’s paradise, offering up everything from operas to raves. Yet unlike Vienna, Leipzig, or even Nashville, Berlin does not immediately come to mind as a city of music. Instead, its turbulent history evokes images of industry, commerce, militarism, destruction, division, and resurrection. Over the past three centuries, Berlin was the capital of a kingdom, an empire, a republic, and a dictatorship; it was ravaged by war and occupied by foreign powers; and its division and reunification made it a powerful symbol of the Cold War. Through all these highs and lows, the music played on. Music Metropolis Berlin is the first full-length exploration of how Berlin became a city of music against all odds.

Unlike the other European music centers that stake their reputations on the fame of composers like Bach or Beethoven, Berlin is known for its ensembles, artists, theaters, organizers, intellectuals, and media stars. This is because Berlin took a very different, and almost accidental, route to becoming a city of music. Hampered for centuries by rulers who were more focused on military and industrial expansion than on cultural prestige, Berlin’s musical life prospered thanks to the ambitions of entrepreneurs and politicians who saw the value in serving the ever-changing music public in an expanding urban landscape. By focusing on Berlin as a rapidly developing global capital, Music Metropolis Berlin looks beyond the music, its creators, and its institutions to reveal how political, economic, and social forces fueled the creation of the Berlin metropolis and continue to nurture a vibrant and diverse musical life.

Tracing the development of Berlin as a center of music from the eighteenth century to the present, examining how its music survived despite its turbulent history. Berlin is a music-lover’s paradise, offering up everything from operas to raves. Yet unlike Vienna, Leipzig, or even Nashville, Berli...

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About the author

Pamela Potter is the Michael Ochs Professor Emerita of German and music at the University of Wisconsin-Madison. She is the author of Most German of the Arts: Musicology and Society from the Weimar Republic to the End of Hitler’s Reich and Art of Suppression: Confronting the Nazi Past in Histories of the Visual and Performing Arts.

Pamela Potter is the Michael Ochs Professor Emerita of German and music at the University of Wisconsin-Madison. She is the author of Most German of the Arts: Musicology and Society from the Weimar Republic to the End of Hitler’s Reich and Art of Suppression: Confronting the Nazi Past in Histories...

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