At times serious, at others humorous, Ars Amatoria; or, The Art of Love uses a mix of down-to-earth examples and relatable references to mythology in order to offer salient advice for the reader longing for love. Far from a valuable artifact of classical literature—which it is, in part—Ovid’s work is a wonderfully straightforward textbook on all aspects of human relationships. Topics include etiquette, remembering birthdays, avoiding unhealthy jealousy, being open to older and younger lovers, and nurturing honesty. On sex, Ovid suggests a careful selection of positions according to comfort and physique, ultimately recommending that love-making be done in a way that pleasures all parties involved. Ars Amatoria; or, The Art of Love, although frequently tongue-in-cheek, is an earnest and effective attempt to enlighten and encourage its readers to partake—responsibly—in one of life’s greatest pleasures.
With a beautifully designed cover and professionally typeset manuscript, this edition of Ovid’s Ars Amatoria; or, The Art of Love is a classic work of Roman literature reimagined for modern readers.
Ovid (43 BC-17/18 AD) was a Roman poet. Born in Sulmo the year after Julius Caesar’s assassination, Ovid would join the ranks of Virgil and Horace to become one of the foremost poets of Augustus’ reign as first Roman emperor. After rejecting a life in law and politics, he embarked on a career as a poet, publishing his first work, the Heroides, in 19 BC. This was quickly followed by his Amores (16 BC), a collection of erotic elegies written to his lover Corinna. By 8 AD, Ovid finished his Metamorphoses, an epic narrative poem tracing the history of Rome and the world from the creation of the cosmos to the death and apotheosis of Julius Caesar. Ambitious and eminently inspired, Metamorphoses remains a timeless work of Roman literature and an essential resource for the study of classical languages and mythology. Exiled that same year by Augustus himself, Ovid spent the rest of his life in Tomis on the Black Sea, where he continued to write poems of loss, repentance and longing.