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As finely worked as a Swiss watch and as funny as the human condition permits ... the zigzag brilliance of the text as the clunky lines of the farce-within-a-farce rub against the sharp dialogue of reality. The Guardian
A play-within-a-play following a touring theatre company who are rehearsing and performing a comedy called Nothing On, results in a riotous double-bill of comedic craft and dramatic skill.
Hurtling along at breakneck speed it shows the backstage antics as they stumble through the dress-rehearsal at Weston-super-Mare, then on to a disastrous matinee at Ashton-under-Lyne, followed by a total meltdown in Stockton-on-Tees.
Michael Frayn's irresistible, multi-award-winning backstage farce has been enjoyed by millions of people worldwide since it premiered in 1982 and has been hailed as one of the greatest British comedies ever written.
Winner of both Olivier and Evening Standard Awards for Best Comedy.
This edition features a new introduction by Michael Blakemore.
A play-within-a-play following a touring theatre company who are rehearsing and performing a comedy called Nothing On, results in a riotous double-bill of comedic craft and dramatic skill.
Hurtling along at breakneck speed it shows the backstage antics as they stumble through the dress-rehearsal at Weston-super-Mare, then on to a disastrous matinee at Ashton-under-Lyne, followed by a total meltdown in Stockton-on-Tees.
Michael Frayn's irresistible, multi-award-winning backstage farce has been enjoyed by millions of people worldwide since it premiered in 1982 and has been hailed as one of the greatest British comedies ever written.
Winner of both Olivier and Evening Standard Awards for Best Comedy.
This edition features a new introduction by Michael Blakemore.
As finely worked as a Swiss watch and as funny as the human condition permits ... the zigzag brilliance of the text as the clunky lines of the farce-within-a-farce rub against the sharp dialogue of reality. The Guardian
A play-within-a-play following a touring theatre company who are rehearsin...
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Michael Frayn was born in London in 1933 and began his career as a journalist on the Guardian and the Observer. He has written seventeen plays, including Noises Off, Copenhagen, and Democracy, translated Chekhov's last four plays, and adapted his first as Wild Honey. His screenplays include Clockwise, starring John Cleese, and among his eleven novels are The Tin Men, Towards the End of the Morning, Headlong, Spies, and Skios. Collections of articles include Collected Columns, Stage Directions, and Travels with a Typewriter. He has also published two philosophical works, Constructions and The Human Touch, and a memoir, My Father's Fortune. His most recent publications are three collections of short entertainments, Matchbox Theatre, Pocket Playhouse, and Magic Mobile. He is married to the writer Claire Tomalin.
Michael Frayn was born in London in 1933 and began his career as a journalist on the Guardian and the Observer. He has written seventeen plays, including Noises Off, Copenhagen, and Democracy, translated Chekhov's last four plays, and adapted his first as Wild Honey. His screenplays include Clock...
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