Whiteface: Improv Comedy and Anti-Blackness

The series explores manifold complexities and frictions in the Americas, building on existing scholarship and propelling it in new directions. It challenges nation-based approaches by offering perspectives that are polyvocal, including interdisciplinary and transnational viewpoints from North America, the Caribbean, and Europe.

Volumes in the series – peer reviewed monographs and collections – delve into literature, culture, theory, and the arts, situating them in historical contexts of global networks and migrations. They contribute to epistemologies of difference, diversity, and inequality, including gender, queer, decolonial, indigenous, and critical race studies.