About this ebook
In this eye-opening book, Mary McCarthy shares her love of the novel and her fear that it is becoming an endangered literary species
"He had a mind so fine that no idea could violate it."
So begins Mary McCarthy's fascinating critical analysis of the novel (and its practitioners) from her double-edged perspective as both reader and writer. The bestselling author of The Group takes T. S. Eliot's quote about Henry James, written in 1918, as a jumping-off point to discuss how the novel has evolved—or not—in the last century. In this lively, erudite book, McCarthy throws down the gauntlet: Why did the nineteenth century produce novels of ideas while the twentieth century is so lacking in serious fiction? She winnows out the underachieving (read: overhyped) authors from the geniuses, explores why Jean Valjean personifies man's conscience in Victor Hugo's Les Misérables, and shows how Stendhal's The Red and the Black "illustrates the evil effects of reading." She also tackles the role of the omniscient narrator and analogizes novels to air travel.
With its exploration of authors from Balzac to D. H. Lawrence, Ideas and the Novel holds inviolate the idea of the novel as a means ultimately of liberating ideas.
This ebook features an illustrated biography of Mary McCarthy including rare images from the author's estate.
"He had a mind so fine that no idea could violate it."
So begins Mary McCarthy's fascinating critical analysis of the novel (and its practitioners) from her double-edged perspective as both reader and writer. The bestselling author of The Group takes T. S. Eliot's quote about Henry James, written in 1918, as a jumping-off point to discuss how the novel has evolved—or not—in the last century. In this lively, erudite book, McCarthy throws down the gauntlet: Why did the nineteenth century produce novels of ideas while the twentieth century is so lacking in serious fiction? She winnows out the underachieving (read: overhyped) authors from the geniuses, explores why Jean Valjean personifies man's conscience in Victor Hugo's Les Misérables, and shows how Stendhal's The Red and the Black "illustrates the evil effects of reading." She also tackles the role of the omniscient narrator and analogizes novels to air travel.
With its exploration of authors from Balzac to D. H. Lawrence, Ideas and the Novel holds inviolate the idea of the novel as a means ultimately of liberating ideas.
This ebook features an illustrated biography of Mary McCarthy including rare images from the author's estate.
In this eye-opening book, Mary McCarthy shares her love of the novel and her fear that it is becoming an endangered literary species
"He had a mind so fine that no idea could violate it."
So begins Mary McCarthy's fascinating critical analysis of the novel (and its practitioners) from her dou...
About the author
Mary McCarthy (1912–1989) was an American literary critic and author of more than two dozen books including the 1963 New York Times bestseller The Group. Born in Seattle, McCarthy studied at Vassar College in Poughkeepsie, New York, and graduated in 1933. After moving to New York City, McCarthy became known for her incisive writing as a contributor to publications such as the Nation, the New Republic, and the New York Review of Books. Her debut novel, The Company She Keeps (1942), initiated her ascent to become one of the most celebrated writers of her generation, a reputation bolstered by the publication of her autobiography Memories of a Catholic Girlhood in 1957, as well as that of her now-classic novel The Group.
Mary McCarthy (1912–1989) was an American literary critic and author of more than two dozen books including the 1963 New York Times bestseller The Group. Born in Seattle, McCarthy studied at Vassar College in Poughkeepsie, New York, and graduated in 1933. After moving to New York City, McCarthy b...
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