"The Spitz aesthetic is proudly trashy and puerile, dedicated to slapstick and tasteless jokes, sort of like Mel Brooks if he listened to Joy Division. But Spitz's newest, Gravity Always Wins, turns out to be - hold on to your trucker hat - a domestic comedy with absolutely no onstage sex, violence or drugs. In truth Spitz's past works always hid a streak of sweetness, beneath the corrosive comedy lurks a romantic soul."
-David Cote, Time Out New York