Sobre aquest llibre
This volume follows Alice from the age of 7, where Lewis Carroll left off telling her story, to the age of 12. It doesn’t detail everything that happened during that time, because frankly that would be boring, since mostly Alice served as a doormat to the citizens of Wonderland. (Don’t worry, though, she gets her revenge when she turns 13.) Instead, the book hops around between certain key points in Alice’s and the other characters histories, with each event linked to the next, not necessarily in chronological order.
This precedes Malice in Wonderland #1: Alice the Assassin
Here's its blurb:
Alice will get her heart back even if she has to kill everyone in Wonderland one by one…
The truth is not what you were led to believe. Alice never left Wonderland. It wasn’t all “just a dream.”
It’s a nightmare. A nightmare she can’t escape, where formerly pleasant characters throw her unhappy unbirthday parties to torment her, while others like to make her cry so they can lick her tears.
But one day after years of this unpleasantness, she loses her heart. Literally. Well, technically someone steals it.
And she has to get it back. By any means necessary. And it’s a lot easier to be ruthless now that she’s heartless.
Keywords: Alice in Wonderland books parody, Mad Hatter
Malice in Wonderland Saga
Malice in Wonderland Prequel
Malice in Wonderland #1: Alice the Assassin
Malice in Wonderland #2: Alice the Angel of Death
Malice In Wonderland #3: Alice the Girl Who Will Tear Your Heart Out and Show It To You Before You Die
Malice Hates Fairy Tales Trilogy
Jabberwocky Trilogy
Descobreix-ne més
Puntuacions i ressenyes
Sobre l'autor
Lotus Rose writes delightfully weird tales about young characters in strange situations. At times dark, silly, or bawdy, his writing owes much to such influences as Alice in Wonderland and Roald Dahl, Piers Anthony and Douglas Adams, and explores themes like disillusionment, and the corruption of innocence. If his books were movies, they'd likely be directed by Tim Burton. He often writes in a style that is a more edgy, "grown-up" version of children's literature interspersed with his poetry and songs.
