An Open Verdict: Restored Classics to Go Edition

· Otbebookpublishing
Ebook
239
Pages
Eligible

About this ebook

In Little Yafford, a picturesque parish shadowed by the industrial town of Great Yafford, the Reverend Clement Dulcimer drifts through life with books, soup, and cultivated ease, while his more practical wife quietly manages the harder work of parish and household. Their world is one of comfort, class pride, and polished social ritual, yet beneath its pleasant surface lie ignorance, poverty, and spiritual compromises that the earnest young curate Cyril Culverhouse cannot ignore. As the novel opens, Mrs. Dulcimer eagerly schemes to secure a "good" marriage for Beatrix Harefield, hoping Sir Kenrick's title, land, and honesty will solve the girl's uncertain future. Clement, philosophical and slyly skeptical, resists such meddling with paradoxical wit, insisting that benevolence often masks self-interest and that interference can do more harm than good. Their comic exchange sets the tone: matchmaking zeal meets detached irony, and charity is shown to be entangled with ambition. Meanwhile, the financial burden of the Culverhouse family hangs over Kenrick and Cyril, cousins who respond very differently to duty and inheritance. Kenrick, home from India, is practical and worldly; Cyril seeks a beautiful, traditional parish life and sees Beatrix as both vulnerable and compelling. Around them, domestic hardship, social ambition, and romantic longing shape a story of marriage, class, and the uneasy line between kindness and control. This edition has been fully restored with modern typesetting, custom cover design.
In Little Yafford, a picturesque parish shadowed by the industrial town of Great Yafford, the Reverend Clement Dulcimer drifts through life with books, soup, and cultivated ease, while his more practical wife quietly manages the harder work of parish and household. Their world is one of comfort, ...

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About the author

M. E. Braddon, born Mary Elizabeth Braddon in London in 1835, rose from a practical, financially strained upbringing to become one of the most celebrated and prolific novelists of the Victorian era. Before literary fame secured her place in the public eye, she worked as an actress and later supported herself through journalism and fiction, experiences that gave her a sharp sense of performance, social ambition, and the hidden pressures of modern life. She became a master of sensation fiction, thrilling readers with plots of crime, secrecy, inheritance, betrayal, and domestic unease, while also writing widely across genres and publishing with remarkable consistency for decades. Her work is especially notable for its tense blend of entertainment and social observation: beneath the suspense, she explored marriage, class, female independence, respectability, and the precarious position of women in a judgmental society. That combination still feels fresh today, because Braddon understood how private desires and public reputations collide, and how appearances can conceal deep moral complexity. Her legacy lies not only in helping define a major Victorian literary mode, but also in giving modern readers a vivid picture of a world obsessed with scandal, yet much like our own in its fascination with image, power, and truth. Readers who enjoy atmospheric suspense, psychologically alert storytelling, and sharp Victorian social drama are especially likely to find her work rewarding.

M. E. Braddon, born Mary Elizabeth Braddon in London in 1835, rose from a practical, financially strained upbringing to become one of the most celebrated and prolific novelists of the Victorian era. Before literary fame secured her place in the public eye, she worked as an actress and later suppo...

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