My Death
Oct 2023 · New York Review of Books
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A widowed writer begins to work on a biography of a novelist and artist—and soon uncovers bizarre parallels between her life and her subject’s—in this chilling and singularly strange novella by a contemporary master of horror and fantasy.
The narrator of Lisa Tuttle’s uncanny novella is a recent widow, a writer adrift. Not only has she lost her husband but her muse seems to have deserted her altogether. Her agent summons her to Edinburgh to discuss her next book. What will she tell him? At once the answer comes to her: she will write the biography of Helen Ralston, best known, if at all, as the subject of W.E. Logan’s much-reproduced painting Circe, and the inspiration for his classic children’s book, Hermine in Cloud-Land.
But Ralston was a novelist and artist in her own right, though her writing is no longer in print and her most radical painting, My Death, deemed too unsettling—malevolent even—to be shown in public. Over the months that follow, Ralston proves an astonishingly cooperative subject, even as her biographer uncovers eerie resonances between the older woman’s history and her own. Whose biography is she writing—really?
The narrator of Lisa Tuttle’s uncanny novella is a recent widow, a writer adrift. Not only has she lost her husband but her muse seems to have deserted her altogether. Her agent summons her to Edinburgh to discuss her next book. What will she tell him? At once the answer comes to her: she will write the biography of Helen Ralston, best known, if at all, as the subject of W.E. Logan’s much-reproduced painting Circe, and the inspiration for his classic children’s book, Hermine in Cloud-Land.
But Ralston was a novelist and artist in her own right, though her writing is no longer in print and her most radical painting, My Death, deemed too unsettling—malevolent even—to be shown in public. Over the months that follow, Ralston proves an astonishingly cooperative subject, even as her biographer uncovers eerie resonances between the older woman’s history and her own. Whose biography is she writing—really?
A widowed writer begins to work on a biography of a novelist and artist—and soon uncovers bizarre parallels between her life and her subject’s—in this chilling and singularly strange novella by a contemporary master of horror and fantasy.
The narrator of Lisa Tuttle’s uncanny novella is a recent...
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About the author
Lisa Tuttle was born and raised in Texas and moved to Britain in the 1980s. Her first novel, Windhaven, co-written with George R.R. Martin, was followed by a dozen fantasy, science fiction, and horror adult and YA novels, and hundreds of award-winning short stories collected in several volumes, including A Nest of Nightmares and The Dead Hours of the Night. She is the author of The Encyclopedia of Feminism and currently writes a monthly science fiction review column for The Guardian. She lives with her husband and their daughter in Scotland.
Amy Gentry is the author of the novels Good as Gone, a New York Times Notable Book; Last Woman Standing; and mostly recently, Bad Habits. She is also a nonfiction writer whose work has appeared in numerous outlets, including the Chicago Tribune, Salon, and The Paris Review. She lives in Austin, Texas.
Amy Gentry is the author of the novels Good as Gone, a New York Times Notable Book; Last Woman Standing; and mostly recently, Bad Habits. She is also a nonfiction writer whose work has appeared in numerous outlets, including the Chicago Tribune, Salon, and The Paris Review. She lives in Austin, Texas.
Lisa Tuttle was born and raised in Texas and moved to Britain in the 1980s. Her first novel, Windhaven, co-written with George R.R. Martin, was followed by a dozen fantasy, science fiction, and horror adult and YA novels, and hundreds of award-winning short stories collected in several volumes, i...
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