Departure(s): A Novel
Jan 2026 · Sold by Knopf
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About this ebook
On the occasion of his eightieth birthday, one of our great novelists delivers a playful and profound work about memory, love, and the writer's endgame.
“A culmination . . . shimmering with [Barnes’s] silky, erudite prose; beneath the suave surface is an earnest investigation into the mysterious ways of the human heart.” —The Atlantic
Shortly after our narrator, a writer named Julian, begins this compact book by discussing the workings of involuntary memory, he interrupts himself with a bulletin to the reader: "There will be a story—or a story within the story—but not just yet.”
Of course, whether Departure(s) is mostly fiction or not, there is a lot of its author in it, including Barnes's reckoning with the blood disorder he has been living with since he was diagnosed in 2020, his long preoccupation with dying and grief, and his mordant sense of the indignities and lost opportunities we're prey to in love. The story he promises to deliver is a love story, that of two friends he met at university in the 1960s, that time of touted but rarely experienced sexual freedom. Julian played matchmaker to Stephen (tall, gangling, uncertain) and Jean (tart and attractive); as the third wheel he was deeply invested in the success of their love and insulted when they broke up. Time is swift, and forty years later, he tries again, watching as their rekindled affair produces joys, betrayals, and disappointments of a different order.
"Life and memory can be so . . . quixotic, don't you find?" Barnes uses both his novelistic memory and his (real?) personal diary entries to examine not just the quixotic relationship of Jean and Stephen but his writer's eye upon it, and how his efforts in their behalf add up in the end. Having promised them he'd never write about them, he breaks the promise to fulfill one, amply, to his readers, in this delightful and poignant novelist’s game that only Julian Barnes knows how to play.
“A culmination . . . shimmering with [Barnes’s] silky, erudite prose; beneath the suave surface is an earnest investigation into the mysterious ways of the human heart.” —The Atlantic
Shortly after our narrator, a writer named Julian, begins this compact book by discussing the workings of involuntary memory, he interrupts himself with a bulletin to the reader: "There will be a story—or a story within the story—but not just yet.”
Of course, whether Departure(s) is mostly fiction or not, there is a lot of its author in it, including Barnes's reckoning with the blood disorder he has been living with since he was diagnosed in 2020, his long preoccupation with dying and grief, and his mordant sense of the indignities and lost opportunities we're prey to in love. The story he promises to deliver is a love story, that of two friends he met at university in the 1960s, that time of touted but rarely experienced sexual freedom. Julian played matchmaker to Stephen (tall, gangling, uncertain) and Jean (tart and attractive); as the third wheel he was deeply invested in the success of their love and insulted when they broke up. Time is swift, and forty years later, he tries again, watching as their rekindled affair produces joys, betrayals, and disappointments of a different order.
"Life and memory can be so . . . quixotic, don't you find?" Barnes uses both his novelistic memory and his (real?) personal diary entries to examine not just the quixotic relationship of Jean and Stephen but his writer's eye upon it, and how his efforts in their behalf add up in the end. Having promised them he'd never write about them, he breaks the promise to fulfill one, amply, to his readers, in this delightful and poignant novelist’s game that only Julian Barnes knows how to play.
On the occasion of his eightieth birthday, one of our great novelists delivers a playful and profound work about memory, love, and the writer's endgame.
“A culmination . . . shimmering with [Barnes’s] silky, erudite prose; beneath the suave surface is an earnest investigation into the mysterious...
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3 reviews
behrouz yaghmaeian
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September 6, 2026
مادر هرچی ایرانیه سگ گایید تنظیمات گوشی منو عوض نکن بیناموس فیس بوک و اینستاگرام من کو من اجازه ندادم به‌گوگل به اس ام اس و کالم دسترسی داشته باشه خونه زندگی من کو کس مادرا من دارو نمیخوام‌خونه میخوام پول میخوام کارای کیریتون با صاحب کارای کیریتون و نمیخوام مادر سگ اگه آدم دوست و خونواده و وطن داشته باشه تو خیابون نمیخوابه بهش دارو بدن بیناموس تو خیابون دوای کیر و خایه بهش نمیدن موقع رانندگی بهش دارو نمیدن آدم دوست و خونواده دار یه شب بیرون میخوابه نه یه سال یه کار عوض میکنه نه صدتا
About the author
JULIAN BARNES is the author of twenty-five previous books, for which he has received the Man Booker Prize, the Somerset Maugham Award, the E. M. Forster Award from the American Academy of Arts and Letters, the Prix Médicis and Prix Femina in France, and the Jerusalem Prize. In 2017 he was awarded the Légion d’honneur. His work has been translated into more than forty languages. He lives in London.
JULIAN BARNES is the author of twenty-five previous books, for which he has received the Man Booker Prize, the Somerset Maugham Award, the E. M. Forster Award from the American Academy of Arts and Letters, the Prix Médicis and Prix Femina in France, and the Jerusalem Prize. In 2017 he was awarded...
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