But as he’s battling a terminal illness, DuChesne needs to see her. So he hires private investigator Ray Fargo to find her and bring her to New Orleans.
Ray knows how to do his job. He finds Hollis—a talented art photographer—and gradually, gently convinces her to honor her father’s dying wish. He doesn’t realize, until it is too late, that he’s actually delivering Hollis into a deadly trap. Can he save her? Can she save herself? Can they fight not just the gothic intrigue of DuChesne's plot but also the powerful attraction they feel for each other?