Numbers
Dec 2007 · Open Road + Grove/Atlantic
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276
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About this ebook
An aging male hustler wages an obsessive battle against the passing of his youth in this darkly compelling follow-up to the cult hit City of Night.
Johnny Rio, a handsome narcissist no longer a pretty boy, travels to Los Angeles, the site of past sexual conquest and remembered youthful radiance, in a frenzied attempt to recreate his younger self.
Like a retired boxer—an undefeated champion—who refuses to accept the possible ravages of time, Johnny is led by some unfathomable force to return to combat once again. Combat, for him, takes place in the dark balconies and dismal bathrooms of LA's all-night movie theaters and on the hot sands of the city's gay beaches. But these are only warm up bouts. The real test, Johnny soon learns, will be in the shaded glens of a rambling park on the outskirts of the city. Through those alcoves, as a gallery of sexhunters emerges, he sets out to discover whether the passage of time—as terrifying to the male hustler as to the dancer or ingenue—has diminished the allure that was the source of his pride.
For Johnny, the final proof resides in numbers. So he sets himself a rigorous time-table—ten days—and goal: thirty "numbers" to prove is mettle. But through all the sexual episodes, the self-indulgence which comprises Johnny's tawdry world, there resounds the universal cry of a human being's desperate need to be loved.
Johnny Rio, a handsome narcissist no longer a pretty boy, travels to Los Angeles, the site of past sexual conquest and remembered youthful radiance, in a frenzied attempt to recreate his younger self.
Like a retired boxer—an undefeated champion—who refuses to accept the possible ravages of time, Johnny is led by some unfathomable force to return to combat once again. Combat, for him, takes place in the dark balconies and dismal bathrooms of LA's all-night movie theaters and on the hot sands of the city's gay beaches. But these are only warm up bouts. The real test, Johnny soon learns, will be in the shaded glens of a rambling park on the outskirts of the city. Through those alcoves, as a gallery of sexhunters emerges, he sets out to discover whether the passage of time—as terrifying to the male hustler as to the dancer or ingenue—has diminished the allure that was the source of his pride.
For Johnny, the final proof resides in numbers. So he sets himself a rigorous time-table—ten days—and goal: thirty "numbers" to prove is mettle. But through all the sexual episodes, the self-indulgence which comprises Johnny's tawdry world, there resounds the universal cry of a human being's desperate need to be loved.
An aging male hustler wages an obsessive battle against the passing of his youth in this darkly compelling follow-up to the cult hit City of Night.
Johnny Rio, a handsome narcissist no longer a pretty boy, travels to Los Angeles, the site of past sexual conquest and remembered youthful radiance...
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About the author
Rechy is an important gay writer also linked to the Beat Movement, whose work has been recognized by a number of prestigious grant nominations or awards, including one from the National Endowment for the Arts. He grew up in El Paso, Texas, in a poor, Mexican American family. Because of his poverty and his ethnic heritage, he learned very early in life to feel himself an outsider, which was intensified by his later experiences as a gay hustler traveling America in search of his social and sexual identity. He came to popular and critical attention with his first published novel, City of Night (1963), which was a bestseller and was nominated for the International Prix Formentor. A fictionalized account of his travels, the novel focuses on the people whom the unnamed narrator encounters on the hustling scene in a number of cities, including New York, San Francisco, New Orleans, Chicago, and Los Angeles. Together, these cities make up the titular "city of night," or, as Rechy writes, "the city of night of the soul." A state of mind rather than a particular place, this "city"---modern America---is where hypocrisy and homophobia are reconciled with the fact of homosexuality in various forms, and poverty may be more spiritual than material. The book owes something to two classics: Jack Kerouac's Beat novel, On the Road, which celebrates countercultural alternatives to middle-class culture and lifestyles, including bourgeois marriage and family life, and Djuna Barnes's modernist novel Nightwood, which explores a tragic gay "nightworld" as a symbol of the modern urban wasteland. Rechy addresses similar themes in a later work that is equally well known, The Sexual Outlaw (1977), which he has described as an experiment with the novel form. Ostensibly a documentary of the life of a gay man, the book is also a critique of American values and morality. Commentaries throughout the text are really journalistic essays that expose the double standards and double binds of a "closeted" culture, in which many fear to be openly gay because of homophobic reprisals. Rechy has suggested that all of his work (which includes plays, essays, and reviews, as well as novels) articulates the need to preserve gay "difference," which he associates with "abundant sexuality," in the face of increasing "heterofascism."
Rechy is an important gay writer also linked to the Beat Movement, whose work has been recognized by a number of prestigious grant nominations or awards, including one from the National Endowment for the Arts. He grew up in El Paso, Texas, in a poor, Mexican American family. Because of his povert...
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