About this ebook
First published in 1889, but never before translated into English, this second collection of J.-K. Huysmans’ art criticism serves as a companion to the author’s iconoclastic Modern Art (L’Art moderne) of 1883. Unlike the earlier volume, Huysmans wastes little time lambasting the art of the establishment, the Academic painters whose work had lined the annual Salon for years. Instead, he concentrates on a series of his own artistic enthusiasms, which he explores with his trademark spleen and invective. There are extended analyses of Edgar Degas’s controversial portraits of women at their toilette; of Odilon Redon’s monstrous and disturbing engravings, of Gustave Moreau’s heiratic paintings that had such a powerful influence on Against Nature; and of Félicien Rops, whose Satanic engravings, particularly his images of women as agents of the devil, would haunt Huysmans’ subsequent novel, Là-bas, of 1891.
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About the author
J.-K. Huysmans (1847-1907) changed from being an obscure author and art critic to one of the most famous authors of his day with the publication of A Rebours (Against Nature) in 1884. A Rebours is a ground-breaking novel which captures the decadent spirit of the day and marks his final break with Zola and naturalism. Dedalus have published 12 books by J.-K. Huysmans, 11 in new translations by Brendan King; Marthe, Parisian Sketches, The Vatard Sisters, Stranded (En Rade), Drifting, Against Nature, Las Bas, Modern Art, Certain Artists, The Cathedral, En Route and The Oblate of St Benedict.
Brendan King is a freelance writer, reviewer and translator with a special interest in late nineteenth-century French fiction. His Ph.D. was on the life and work of J.-K.Huysmans. He has translated La-Bas, Parisian Sketches, Marthe, Against Nature, Stranded, The Cathedral, The Vatard Sisters, Drifting, Modern Art, Certain Artists, En Route & The Oblate of St Benedict by J.-K. Huysmans for Dedalus. He has also edited The Life of J.-K.Huysmans by Robert Baldick for Dedalus.
