About this ebook
Of all that has been written recently on Shakespearean comedy much is cross-sectional; much has pursued themes, patterns, images and son on, recurring throughout the sequence of plays. Less has been written about he plays themselves. There are of course the introductions to new editions; and there have been articles on this or that play: but any books surveying the whole sequence of the comedies have done so with some one special matter in mind. Thus, there may be room for a book like this; one that deals with the comedies primarily as plays, as separate entities. But such treatments need not exclude comment on the background and on how one play is linked with another; and I shall not avoid these matters.
Of all that has been written recently on Shakespearean comedy much is cross-sectional; much has pursued themes, patterns, images and son on, recurring throughout the sequence of plays. Less has been written about he plays themselves. There are of course the introductions to new editions; and ther...
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About the author
E.M.W Tillyard (sometime Master of Jesus College, Cambridge) is renowed for his many works on Shakespeare and Milton. He is credited with having put forward the theory that Elizabethan literature is not representative of a brief period of humanism between two outbreaks of protestantism, but rather representative of a theological bond in England that allowed for a continuation of the Medieval view of World Order.
E.M.W Tillyard (sometime Master of Jesus College, Cambridge) is renowed for his many works on Shakespeare and Milton. He is credited with having put forward the theory that Elizabethan literature is not representative of a brief period of humanism between two outbreaks of protestantism, but rathe...
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