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"Grady's novel reads with the velvety tempo of the jazz music of its day. . . . Grady fearlessly explores heated race relations and the masks we all assume." —Chatelaine
With his curly black hair and his wicked grin, everyone swoons and thinks of Frank Sinatra when Navy musician Jackson Lewis takes the stage. It's World War II, and while stationed in St. John's, Newfoundland, Jack meets the well-heeled Vivian Clift, a local girl who has never stepped off the Rock and longs to see the world. They marry against Vivian's family's wishes—there's something about Jack that they just don't like—and as the war draws to a close, the couple travels to Windsor to meet Jack's family.
But when Vivian meets Jack's mother and brother, everything she thought she knew about her husband gets called into question. They don't live in the dream home Jack depicted, they all look different from one another—different from anyone Vivian has ever seen—and after weeks of waiting to meet Jack's father, he never materializes.
Steeped in jazz and big-band music, spanning pre- and post-war Windsor-Detroit, St. John's, Newfoundland, and 1950s Toronto, this is an arresting, heartwrenching novel about fathers and sons, love and sacrifice, race relations and a time in our history when the world was on the cusp of momentous change.
With his curly black hair and his wicked grin, everyone swoons and thinks of Frank Sinatra when Navy musician Jackson Lewis takes the stage. It's World War II, and while stationed in St. John's, Newfoundland, Jack meets the well-heeled Vivian Clift, a local girl who has never stepped off the Rock and longs to see the world. They marry against Vivian's family's wishes—there's something about Jack that they just don't like—and as the war draws to a close, the couple travels to Windsor to meet Jack's family.
But when Vivian meets Jack's mother and brother, everything she thought she knew about her husband gets called into question. They don't live in the dream home Jack depicted, they all look different from one another—different from anyone Vivian has ever seen—and after weeks of waiting to meet Jack's father, he never materializes.
Steeped in jazz and big-band music, spanning pre- and post-war Windsor-Detroit, St. John's, Newfoundland, and 1950s Toronto, this is an arresting, heartwrenching novel about fathers and sons, love and sacrifice, race relations and a time in our history when the world was on the cusp of momentous change.
"Grady's novel reads with the velvety tempo of the jazz music of its day. . . . Grady fearlessly explores heated race relations and the masks we all assume." —Chatelaine
With his curly black hair and his wicked grin, everyone swoons and thinks of Frank Sinatra when Navy musician Jackson Lewis t...
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WAYNE GRADY is the author of fourteen highly-acclaimed books, including Breakfast at the Exit Cafe, Bringing Back the Dodo, and The Bone Museum. He is also the translator of fifteen novels from the French, and the editor of eleven anthologies of literary fiction and nonfiction. His writing has appeared in literary magazines, as well as in major newsstand magazines, including Saturday Night, Toronto Life, Canadian Geographic, Smithsonian and Explore. He won the Governor General's Award for Translation in 1989 for Antonine Maillet's On the Eighth Day, and was nominated for the same award in 1995 and again in 2005. Grady teaches creative nonfiction as a sessional lecturer at the University of British Columbia, and lives near Kingston, with his wife, novelist and creative nonfiction writer Merilyn Simonds.
WAYNE GRADY is the author of fourteen highly-acclaimed books, including Breakfast at the Exit Cafe, Bringing Back the Dodo, and The Bone Museum. He is also the translator of fifteen novels from the French, and the editor of eleven anthologies of literary fiction and nonfiction. His writing has ap...
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