About this ebook
European Romanticism in the visual arts has always been defined by transnational transfer processes. It is surprising that international aspects of Romantic movements have been, in contrast to literary studies, a gap in art historical research. Picturing the Romantic addresses this issue and reveals new perspectives on European Romanticism(s) in the visual arts by reconsidering the phenomenon’s traditional canon, geographical dimensions and terminology and analysing various examples of the complex and heterogeneous works of Romantic painting. In fifteen original essays, renowned and early career researchers examine the question of whether to speak of several independently considered Romanticisms or one European Romanticism. They adopt a transnational perspective on Romantic art in and beyond Europe, focusing on the interconnections between the countries.
European Romanticism in the visual arts has always been defined by transnational transfer processes. It is surprising that international aspects of Romantic movements have been, in contrast to literary studies, a gap in art historical research. Picturing the Romantic addresses this issue and reve...
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About the author
Elisabeth Ansel is a postdoctoral research associate and coordinator in the research group European Romanticism or Romanticisms in Europe?, Friedrich Schiller University Jena.
Christin Neubauer is a doctoral associate in the research group European Romanticism or Romanticisms in Europe?, Friedrich Schiller University Jena.
Mira Claire Zadrozny is a doctoral researcher in Art History, Friedrich Schiller University Jena.
Johannes Grave is Professor of History of Art, Friedrich Schiller University Jena.
Elisabeth Ansel is a postdoctoral research associate and coordinator in the research group European Romanticism or Romanticisms in Europe?, Friedrich Schiller University Jena.
Christin Neubauer is a doctoral associate in the research group European Romanticism or Romanticisms in Europe?, Friedric...
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